NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Lake of Stars Festival: Celebrating Malawi’s culture on a global stage

15 Oct 2025 - 09:29

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The shores of Lake Malawi are set to come alive from 17 to 19 October, when the Lake of Stars Festival returns to Fish Eagle Bay Lodge in Nkhotakota. More than just a music event, the festival has established itself as one of Africa’s most influential cultural gatherings, a space where Malawian creativity meets global collaboration.

Lake of Stars Festival festival organiser and executive director of Dusty Orange Projects Et Al (DOPE Malawi), Sharmila Elias-Taijala said this year’s edition continues the festival’s mission to empower local talent while embracing diversity.

According to festival organiser and executive director of Dusty Orange Projects Et Al (DOPE Malawi), Sharmila Elias-Taijala, this year’s edition continues the festival’s mission to empower local talent while embracing diversity. “The festival empowers upcoming Malawian cultural and traditional artists through uniquely Malawian entertainment, creating an unforgettable and epic weekend experience,” she said.

From its early days in Nkhata Bay, the Lake of Stars Festival has evolved into a global platform that not only showcases music but also drives community participation and cultural exchange. One of the key initiatives this year is the Homemade Musical Instruments Programme, which encourages collaboration between local and international artists. “We’ve opened up spaces for regional and international artists to exchange cultures,” Elias-Taijala explained. “These instruments, while not unique to Malawi, form the backbone and driving force of creativity in our country. This year, we’re excited to share this heritage with musicians from Uganda, Zambia, South Africa, Finland, Germany, and the US.”

The festival’s commitment to community involvement remains a cornerstone of its success. Local residents from Nkhotakota and nearby areas benefit economically through various opportunities linked to the event. “Community members earn revenue directly from the festival market and are encouraged to open shops outside the venue as well as have a representative inside,” Elias-Taijala noted. Beyond this, the Kalani Omazuka Community Guest Experience allows residents to rent out their homes to visitors, keeping all proceeds. “We also recycle and repurpose our stages into school desks, which are donated to nearby schools,” she added, underscoring the festival’s dedication to sustainability and social impact.

Education and youth empowerment are equally central to the festival’s vision. A Youth Festival, held on the Thursday before the main event, brings together secondary school students in partnership with the District Education Manager, the UN in Malawi, UNICEF, and the Republic of Zambia. “The programme connects policymakers, professionals, and peers, giving young people the opportunity to learn, grow, share, and celebrate Malawian arts and culture,” said Elias-Taijala.

In addition, the Day of Ideas provides a forum for knowledge-sharing between local creatives and industry leaders from across Africa. This year’s participants include Martin Myers from South Africa’s Music Exchange and Vusi Leeuw from Sony Music. “They share insights on how to navigate the music industry from a business perspective, inspiring participants, especially children from local communities, to become future innovators in Malawi’s arts and culture sector,” Elias-Taijala said.

Sustainability remains a key pillar of the festival’s operations. Stages are constructed using invasive tree species from the national park, which are later converted into desks for schools. Community clean-up initiatives are also organised ahead of the event, with collected waste materials often repurposed into art installations. “We have always taken steps toward sustainability,” Elias-Taijala affirmed. “These efforts not only preserve the environment but also promote creativity and responsibility within our community.”

Reflecting on the festival’s broader mission, Elias-Taijala emphasised its role as a bridge between cultures. “This is a culturally intersectional experience that brings together artists and audiences from South Africa, Zambia, Zimbabwe, Uganda, Kenya, the UK, and the US,” she said. “It’s about diversity and inclusion, connecting communities through shared creativity. Ultimately, this is a festival with purpose, one that celebrates Malawi’s deep-rooted culture while inviting the world to discover it.”

As the Lake of Stars Festival continues to grow, its influence stretches far beyond Malawi’s borders. It remains a vital platform for cultural exchange, artistic empowerment, and sustainable community development, proof that music and creativity can indeed transform lives.

Tickets to the festival are available online via Pamsika Online, kwenda.co and Howler.

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