NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Suno raises over $400m in funding, reaches $5.4b valuation

03 Jun 2026 - 14:00

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Artificial intelligence music company Suno has secured more than $400 million in Series D funding, valuing the company at $5.4 billion following the investment round.

Suno chief executive and co-founder Mikey Shulman. Photo: Barry Chin

The funding round was led by Bond Capital, with participation from investors including IVP, Forerunner, Union Square Ventures, Alkeon and Quiet. Existing investors such as Matrix, Lightspeed, Menlo Ventures and Schroders Capital also participated.

The company announced the funding on 3 June, marking a significant increase from its previous valuation of $2.45 billion following a $250 million Series C funding round completed in November 2025.

Suno chief executive and co-founder Mikey Shulman said the funding would support the company's expansion plans.

“This funding will help us accelerate what matters most: helping more people express themselves through music, while continuing to expand what’s possible for artists and creators on Suno,” Shulman said in a company blog post.

In an interview with Bloomberg, Shulman said the capital would be used to expand hiring, develop new products and support the company's growth strategy.

“Having more capital allows us to operate the business differently and take some bigger swings,” he said.

According to Bloomberg, Suno currently employs around 200 people and plans to increase its workforce by up to 70% before the end of the year.

The company reported surpassing two million paid subscribers in February and previously indicated it was on track to generate approximately $300 million in annual revenue. Shulman said user engagement had increased while cancellation rates had declined.

“A higher share of users are falling in love with the product and coming back,” he said.

Legal disputes continue

The funding announcement comes as Suno remains involved in several copyright infringement disputes with major music companies and rights organisations.

The Recording Industry Association of America filed legal action against Suno and rival AI music platform Udio in 2024, alleging large-scale copyright infringement on behalf of major record labels.

While Udio has since reached agreements with Universal Music Group and Warner Music Group, Suno remains in legal disputes with Universal Music Group and Sony Music Entertainment, as well as European rights organisations Koda and GEMA.

Last month, Universal Music Group and Sony Music sought permission from a federal court to add more than 61 000 copyrighted recordings to their case against Suno after identifying recordings allegedly used in the company's training data.

Suno has also requested that the court keep confidential the exact number of audio files used to train its AI music model, arguing that disclosure could provide competitors with commercially sensitive information.

Industry partnerships

Despite the ongoing legal challenges, Suno is continuing to develop partnerships within the music industry.

The company previously reached a settlement with Warner Music Group and is reportedly preparing to launch products developed under that partnership.

Shulman said Suno expects to introduce its first music model created in collaboration with the music industry in the coming months.

“We believe there’s a huge opportunity to create new experiences for fans while helping artists reach audiences, build community, and unlock new creative and economic possibilities,” he said.

Bond Capital general partner Daegwon Chae compared Suno's role in music creation to software tools that have enabled non-programmers to build applications.

“Suno unlocks a new part of the entertainment market based on active participation, creation and engagement,” Chae told Bloomberg.

The latest funding round positions Suno among the highest-valued AI music companies globally as competition intensifies in the rapidly expanding generative music sector.

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