NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for entries: ANIFILM competition in Czech Republic 2020

11 Sep 2019 - 09:27

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The International Festival of Animated Films (ANIFILM) is calling on filmmakers, animators and computer games developers around the world to submit music videos, animated films, abstract videos and computer games for the 2020 edition of the event in Třeboň, Czech Republic, from 5 to 10 May.

'Elves of Karoo', a music video by Germany musician Seth Schwarz and Dane artist DJ Be Svendsen came tops in the International Competition of Music Videos category. In the Photo: Seth Schwarz. Photo: Facebook

To be part of the festival, interested individuals should submit their work by registering their films here for free. If you have not submitted any work before, your first step will be registration.

Participants can send their work in form of a link via we transfer, email at [email protected] or by post (USB, hard drive, 35 mm print). For the address please write to: [email protected].

The submission deadline is 5 January. The organisers will accept work that was made after 1 January 2019.

Submissions selected for the competition will be assessed by the festival selection committee. Each participant who submitted a film or game is subsequently informed about the result.

The ANIFILM competition programme comprise the following categories:

  • International Competition of Music Videos: Competition of commissioned works as well as fan-made videos for concrete songs. Author of the video must have approval for using the musical piece.
  • International Competition of Feature Films: A feature film is a film longer than 60 minutes. Jury gives awards to film for children and film for grown-ups.
  • International Competition of Short Films: This competition section presents several blocks of animated short films made by professionals (out of schools). A short film is a film which is not longer than 50 minutes.
  • International Competition of Student Films: The films can be submitted to the competition via the online application form by schools or students themselves.
  • International Competition of Abstract and Non-narrative Animation: Unconfined audio-visual works using the principles of animation in the widest extent possible.
  • International Competition of VR Films: Films designed for virtual reality.
  • International Competition of Independent Computer Games: Jury gives awards for games for children and visual art.

Prizes

The jurors give out the following awards:

  • Best Music Video – 500 EUR ($550)
  • Best Feature Film – 1000 EUR
  • Best Feature Film for Children – 1000 EUR
  • Best Short Film – 1000 EUR
  • Best Student Film – 1000 EUR
  • Best Abstract/Non-narrative Animation – 500 EUR

Rules

  • All films in the competition are screened in their original language and must be provided with English subtitles by the party submitting the film (with the exception of music videos).
  • Costs of the transportation of the film prints and promotion materials from the country of origin to the post office in Prague and the costs of travel insurance are covered by the participant, if not arranged otherwise.
  • The costs of insurance against loss and partial damage or complete destruction of the film print for the period starting on the day when the festival receives the film print and ending when the festival hands the film print over to the carrier are covered by the festival.
  • In case of loss or destruction of the film print during the festival, the festival is responsible only for the costs involved in making a new print based on the current laboratory rates for ordering a standard print.
  • All complaints concerning the technical condition of the returned film print must be registered with the festival within one month after receiving the film print.
  • Director, producer or the world sales company cannot withdraw the film from the festival once its screening has been officially confirmed.

Read more rules here.

ANIFILM also runs a national competition called Czech Horizon and is divided into four categories:

  • Short Films
  • Student Films
  • TV/On-line Films and Series
  • Commissioned Works
  • Music Videos

“The aim of the International Festival of Animated Films (ANIFILM) is to present the best from the field of animation from all around the world,” ANIFILM said. “The festival also aims to preserve and help develop the cultural heritage of Czech animated film, contribute to the creation of new Czech films and provide ground for potential international co-productions."

“The festival’s accompanying programme supports education in the field of animated film. With its wide and varied programme, ANIFILM strives to change the stereotypical perception of animated films as mere entertainment for children.”

View the original call here. For more information email: [email protected].

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