
Nigeria: Tekno kicks-off 2025 with Afropop anthem Alhaji
Nigerian Afropop sensation Tekno has launched into 2025 with a vibrant new single titled ‘Alhaji’, a high-energy love anthem that has already captured the attention of fans worldwide.
- Tekno.
Produced by emerging talent Ranson Beatz, the track sees Tekno in his signature form, blending infectious melodies with heartfelt lyrics. ‘Alhaji’ explores the theme of irresistible passion, as Tekno sings of a woman who has completely mesmerised him, including the cheeky refrain, “she holds me for work.” The single is infused with the upbeat energy and romantic flair that have cemented his place as one of Africa’s most beloved hitmakers.
The accompanying music video echoes the feel-good spirit of the track, following Tekno through vibrant cityscapes as he dances with energetic performers and shares playful moments with his on-screen love interest. The visuals are fast-paced and colourful, underscoring the track’s celebratory tone.
Even before its official release, a snippet of ‘Alhaji’ went viral on TikTok, with over 8 000 users creating content inspired by the song’s infectious rhythm. From dance challenges to fan-made tributes, the single is already proving to be one of the year’s early breakout hits.
With chart-topping singles such as ‘Pana’, ‘Duro’, and ‘Skeletun’, Tekno has long been recognised as a leading figure in the Afrobeats movement. His career boasts multi-platinum certifications, international collaborations, and songwriting credits for global stars including Drake and Ciara.
‘Alhaji’ marks his first release of 2025, setting the tone for what promises to be a year filled with new music, surprises, and memorable moments for fans around the globe.
Augustine Miles Kelechi, known professionally as Tekno, is a Nigerian singer, songwriter, and producer celebrated for his innovative sound that blends Afrobeats, highlife, and dancehall. With a career that spans over a decade, Tekno continues to play a pivotal role in expanding the global reach of African music.
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