NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Goethe-Institut International Coproduction Fund

11 Apr 2022 - 10:12

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Goethe-Institut is calling on artists in the fields of music, theatre, dance and performance to apply for its International Coproduction Fund.

The application deadline is 21 April. Photo: RC Photography

Launched in 2016, the fund is designed to promote new working networks and approaches within a global context and to explore new forms of intercultural collaboration.

The International Coproduction Fund promotes projects of a high artistic calibre and with considerable public impact. The results of the collaborative efforts are to be presented in a professional setting abroad, if possible also in Germany. An application should include a feasible financial plan that, in addition to third-party funding, should show the substantial contributions of all the project partners involved. The amount of funding requested should not exceed €25 000.

The joint application, which must be submitted by the foreign partner (living and working abroad), must show clearly that good working contacts already exist between the partners and that both parties are interested in putting together a dialogue-oriented production. As part of the application, it is expected to contact the local Goethe-Institut before submitting the project. The local Goethe-Institut can also assist with questions regarding the development of the application.

Goethe-Institut welcomes projects between German and non-European partners – in particular from transition countries such as as Benin, Burkina Faso, Cape Verde, Ivory Coast, the Gambia, Ghana, Guinea-Bissau, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, Togo, Botswana, eSwatini, Lesotho, Namibia and South Africa, among others. The full list of transition countries is available here.

The project partners have the task of doing active, broad-based public-relations work, in which the support from Goethe Institut’s International Coproduction Fund should always be mentioned. Both partners should pay close attention to documenting the progress of the project with photos, videos, press reports and other modes of display, in order to facilitate a presentation of the project on the website of the International Coproduction Fund.

Interested applicants should apply here before 21 April CET.

Award criteria

  • The projects submitted should embrace only the performing arts (no outright film or exhibition projects).
  • Expected artistic quality of the project.
  • Relevance of the participating artists in their respective scenes.
  • Budget indicating project partners’ own contributions/third-party funds and a solid financial plan.
  • A balanced project partnership based on the artistic collaboration, not dominated by one partner.
  • Realisation of at least one performance outside Germany, if possible also one in Germany.
  • Projects between German and non-European partners, especially from transition countries, will be preferred (applications from Austria and Switzerland cannot be considered).
  • Applications for guest performance funding are not valid.
  • The project duration has to be within 24 months.

Required documents

  • Participants should present a project in the Project Description (max two pages long). Describe the nature and scale of the production and discuss the artistic idea, aims and objectives, and how they intend to achieve them by collaborating with their coproduction partners.
  • Participants should present their production planning in the schedule, including a development and rehearsal stage, premiere date(s) and any planned guest appearances.
  • A profile describing the ensemble/artists.
  • A list of all participants indicating each person’s function in the project and the place where they live.
  • In a conclusive and itemised Overall Financial Budget, specify all income and expenses in connection with the production. All amounts are to be stated in Euros.

“With the International Coproduction Fund, Goethe-Institut would like to support the unrestricted international and intercultural exchange of artists and their ideas,” Goethe-Institut said. “The facilitation of such an exchange and the networking it spawns among the various players are equally as important as the productions resulting from the project.”

View the original call here.

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