Somizi Buyani Mhlongo

Somizi Buyani Mhlongo (born 23 December 1972 in Soweto, Johannesburg) is a South African entertainer whose career spans acting, choreography, television and music. He rose to prominence in 1992 through the musical film Sarafina!, where he performed as both a dancer and actor, laying the foundation for his later work in music and stage performance.

Born to the late veteran actress Mary Twala and actor-comedian Ndaba Mhlongo, Somizi was immersed in the arts from an early age. His early training in dance and performance led to major choreography roles, including the opening and closing ceremonies of the 2010 FIFA World Cup and the 2013 Africa Cup of Nations. He also choreographed major music events such as the South African Music Awards, Metro FM Music Awards and Miss South Africa, establishing himself as a key creative force behind South Africa’s biggest live music productions.

Although best known as a television personality, Somizi has pursued music alongside his stage career. In the early 2000s, he released kwaito- and gospel-inspired material, which did not gain significant commercial traction. In 2017, he returned with the dance-driven single “Ngibonile”, produced by Heavy K, marking a shift towards house and gqom-influenced sounds. In 2021, he featured on Vusi Nova’s song “Ntandane”, drawn from the gospel-influenced album Ngumama, reinforcing his connection to contemporary South African music.

Somizi has also explored music through fitness and dance culture, releasing the workout project Grind! With Somizi and producing dance-based content that blends South African rhythms with exercise routines. His long-standing work with gospel ensemble Joyous Celebration further positioned him within live music and choral performance spaces.

As a judge on Idols South Africa and a host of major music award shows, Somizi has played a visible role in shaping mainstream music culture and introducing new artists to national audiences. While his recording output remains limited, his broader influence on live performance, choreography and televised music has made him a lasting figure in South Africa’s music ecosystem.