NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

The Tabs Ug

The Tabs Ug

Bands /groups
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Kampala, Uganda

In operation since:

2016

Contact person:

The Tabs Ug

Contact:

0775576582

BIO

The Tabs Ug also commonly known as The Tabs is a Ugandan instrumental music group made up of Allan Watson Waswa (violin), David Tayebwa (Acoustic Guitar), Meris Nakigudde (Keyboard) and a drummer.

The group first formed in 2016 as a duo of Allan Watson Waswa and David Tayebwa at the Milege Acoustic Project at Makerere University performing mostly popular TV/film soundtracks and other pop covers such as the popular Game of Thrones theme song, The Gael from Last of the Mohicans, My Heart Will Go On from Titanic, Pirates of the Carribean theme before composing their original music.

Allan and David met at the Milege Acoustic Project late 2015 and actually worked together under no binding name performing at Instanbul Restaurant Jinja Road and The Game Club Lumumba Avenue with Undercover Brothers Ug, The Sound Cup Garden City and at the Milege Acoustic Project at Makerere University.

In October 2016, Allan and David decided to work together under the name The Tabs Ug owing to the fact that Allan’s family name is Tabaaro and David’s stage name is Tabzy. Their maiden performance as The Tabs Ug was at Sheraton Kampala Hotel as guest performers on Jemimah Sanyu’s weekly show.

They went on to perform at different other functions both private and public including at Commonwealth Youth Meeting in Munyonyo in 2017. They were invited to perform at Chords of the Tower Makerere University music department final showcase for 2017 performing alongside popular musicians Kenneth Mugabi, Giovanni Kiyingi, Haka Mukiga and Happy Kyazze.

The Tabs Ug performed their rearranged version Game of Thrones at the Pearl Rhythm Stage Coach in April 2017 winning them special recognition from the judges who selected them for the Pearl Rhythm Activations but the activations for the whole year were not done as the National Theatre was under renovation.

They also showcased their work at the weekly Milege Acoustic Project, the National Theatre jam night Mondays and at Doa Doa festival at the Uganda Museum.

The duo also worked closely with Milege band, their mentors and performed with Milege at the 2017 Stonefest in Jinja.

In June 2017, the Tabs Ug played at the Milege World Music Festival in November 2017 sharing stage with some local and international artists like Michael Kitanda, Totemo from Israel, KYP gumboot dancers from South Africa and Bengatronix from Kenya.

The Tabs Ug also performed at a fashion event Nambi Clothing and Textile launch party organized by Brenda Nambi.

They started playing at Ethnic Club on Buganda Road on Sundays 8pm in late July until September when Ethnic Club’s management changed and the club changed to Club Myths.

The Tabs Ug also worked with ex-hollywood and Ugandan actress, producer and director Nana Kagga in her new and upcoming TV series, Reflections and other private events.

Discography
The Harvest (debut record single)
Allan’s Song (debut composition)
Sway
Natonzya
Make Me
Orikuura Akafunjo
Game of Thrones Theme Song (rearranged by The Tabs)
Omukazi Yeiba Enyama

Style
The Tabs Ug’s original music is a combination of sounds from Uganda and other foreign sounds including classical, pop, and folk.

Members
Allan Watson Waswa – A self taught violinist and actor. He wanted to have the violin in 2003 after listening to a 1999 Dixie Chicks song Cowboy Take Me Away that featured the violin. He however didn’t get a chance to see, touch or play one until December 2015 after he joined the Milege Acoustic Project. He took lessons on Youtube and later got help from Alison Nadunga of Milege, Bonny Evangel and Jonathan Beggs of Kampala Symphony Orchestra.

David Tayebwa – Guitarist and Music Business student at Makerere University. Before the Tabs, David played for a number of bands before he travelled to Europe for a musicpreneurship course. When he returned he did solo projects and later met Allan with whom they formed The Tabs Ug.

Meris Nakigudde - A self taught keyboardist and pharmacist. She plays in church in Rubaga. She has been part of The Tabs since July 2017.

Social Networks and Websites

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