A comeback defined by courage: Lira’s return to the stage
South African soul singer Lira returned to the stage at Gold Reef City on 18 April with a deeply personal one-woman show that placed vulnerability and recovery at the centre of the performance.
Lira.
Lira and Chase Bell.
Lira and NSA Choir.
Rather than presenting a polished comeback narrative, the evening unfolded as a reflection on rebuilding, marked by pauses, emotion and a sense of gratitude for simply being able to perform again.
The night opened with comedian Tumi Morake, who set a relaxed tone for the audience. Morake noted the personal significance of the venue, recalling that Lira had once been in the audience at her own first performance at the Lyric Theatre.
An emotional return
When Lira appeared on stage, she was met with a standing ovation that visibly moved her.
“I promised myself I would not cry. So don’t make me cry,” she told the audience.
Throughout the show, she reflected on how her music has taken on new meaning since suffering a stroke four years ago, which affected her ability to read, write and speak. She described the experience as transformative, saying it eventually reshaped how she understands sound, language and emotion.
She explained that songs written years earlier now feel as though they were written for a later stage of her life, adding that the experience of illness had forced her to slow down and listen more intentionally.
Relearning language and performance
One of the most striking parts of the evening came when Lira described the process of relearning to speak. She said it began with a single word: “Hello”.
“I build my vocabulary out each and every word at the time. A song at a time and a performance at a time,” she said.
She acknowledged that she is still in recovery but emphasised that she is no longer waiting for full restoration before returning to the stage.
“I’m not afraid to be seen trying,” she said.
At several points during the performance, she paused to search for words or allow silence into the space. Rather than losing the audience, these moments appeared to draw them closer.
Music, reflection and collaboration
The setlist included earlier material such as ‘Let There Be Light’, ‘Valley of Darkness’ and ‘Believer’, alongside newer and unreleased work. She was joined on stage by the NSA Choir, whose harmonies supported parts of the performance where she stepped back vocally.
She also performed ‘Something Inside So Strong’ and ‘Hamba’, as well as a new song titled Feels Like Love, which she described as a tribute to her late mother. During this section, she became visibly emotional but continued through the performance.
A guest appearance from Chase Bell saw the pair perform their collaboration ‘Do Me’.
Lira ended the evening with ‘Feel Good’ and ‘Be About It’, prompting the audience to stand once more. There was little urgency for people to leave as the concert drew to a close.
What emerged from the night was less a traditional comeback performance and more a document of recovery in progress. Lira’s return was framed not by completeness, but by honesty about where she is still headed and a willingness to share that process publicly.
Contributor: Tendani Mungoni





















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