Negro Bué

Negro Bué, born Eduardo da Rosa Carvalho Mingas on May 15, 1980, in Huíla Province, is a prominent Angolan rapper, cultural advocate, and entrepreneur whose work has played a significant role in shaping contemporary Angolan hip hop. As the son of Eduardo Mingas, a former ambassador and high ranking police commander, he grew up surrounded by political and civic influence, which later informed his socially conscious artistic direction. A university student of International Relations with a keen interest in democracy, literature, natural sciences, tourism, and sports, Negro Bué developed an early passion for African musical instruments and protest music rooted in the defense of human rights.

His musical journey began in the late 1980s in Moxico, where encouragement from friends and schoolmates inspired his first creative steps. After relocating to Luanda in the early 1990s, he immersed himself in the city’s emerging hip hop culture, composing lyrics and participating in youth music initiatives. During this formative period, he became part of the movement at the former Salvador Correia High School, now Mutu Ya Kevela, and later co founded the group NSPJ alongside fellow artists. With guidance from figures such as Heavy C and other pioneers of Angolan hip hop, he contributed to collaborative initiatives including the ABXTRATO Project, which brought together several voices from the old school generation and helped consolidate the local rap movement.

In 2003, Negro Bué released his debut solo album O Meu Outro Lado, recorded at the SABC studios in Cape Town, South Africa. The project marked a turning point in his career and positioned him among the new wave of Lusophone hip hop artists. The album featured collaborations with respected musicians including Pérola and other regional talents. He gained broader recognition with songs such as “So Nice” and continued to expand his catalogue with projects including Três Cores, preceded by the release of “Angola 3 Cores,” which reinforced his artistic identity and national pride.

Beyond his work as a performer, Negro Bué has also distinguished himself as an entrepreneur and music executive. He contributed to the establishment of Bué D’Beats and later assumed leadership responsibilities at So Much More Records, where he served as Chairman of the Board and artistic director. Through a combination of socially engaged lyricism, strategic industry involvement, and cultural commitment, he remains an influential voice within Angolan music and the broader African hip hop landscape.

Sources; Google searches, Plantinaline.com