NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda: Nyege Nyege returns to the Nile for 11th edition with Wakaliwood collaboration

18 Sep 2026 - 16:25

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Uganda’s Nyege Nyege Festival will return to Adrift, Kalagala Falls, from 19 to 22 November 2026 for its 11th edition, with the programme combining music, film, visual art, culture and adventure.

The festival will return to Kalagala Falls for a second consecutive year after holding its 10th anniversary edition at the site in 2025. Photo: Talent Africa

The festival will feature more than 200 artists across seven stages and will be centred on a collaboration with Wakaliwood, Uganda’s independent film movement based in Wakaliga, Kampala.

Dubbed ‘The Wakaliwood Edition’, the festival will incorporate filmmaking into its programme, with scenes for a new film to be shot during the four-day event. Artists, performers and festivalgoers will have the opportunity to participate in the production, while parts of the festival site will be used as a live film set.

Nyege Nyege co-founder Derek Debru said the collaboration reflected similarities between the festival and Wakaliwood’s approach to independent cultural production.

“After ten editions, we wanted to enter the next chapter by doing something that could only happen here. Nyege Nyege and Wakaliwood share a similar spirit: creating with what you have, building your own world and then finding ways of sharing that world far beyond Uganda,” Debru said.

“This year those two universes come together. The festival becomes part music festival, part movie set, part playground, with the Nile running through the middle of it all.”

Music will remain central to the festival, with the programme bringing together artists and scenes from Uganda, East Africa and elsewhere on the continent, alongside international acts. Genres and formats will include electronic music, live bands, traditional forms, club sounds and experimental music.

The festival will also bring back its Dub & Reggae Stage and feature dedicated takeovers focused on music scenes from Kenya and Rwanda. The first wave of artists and the full stage programme are expected to be announced in the coming weeks.

Talent Africa Group chief executive Aly Allibhai said the 2026 edition would combine music with other parts of Uganda’s creative and tourism industries.

“We are excited to officially announce the return of Nyege Nyege Festival for its 11th edition. This year we are building an even broader festival experience, bringing together music, tourism, adventure, film, fashion and Uganda’s creative industries,” Allibhai said.

“Returning to Kalagala Falls gives us an extraordinary setting to welcome Uganda, East Africa and the world back to the banks of the Nile.”

The festival will return to Kalagala Falls for a second consecutive year after holding its 10th anniversary edition at the site in 2025. Organisers said changes for 2026 will include improvements to entrances, parking, movement around the venue and accommodation.

An expanded camping village will accommodate about 1,000 people, while Adrift River Club will be incorporated into the festival site for the first time. Visitors will also have access to adventure activities on and around the Nile.

In partnership with Explore Uganda, the national tourism brand of the Uganda Tourism Board, the festival will offer tourism experiences and packages aimed at connecting visitors with destinations and cultural and adventure activities across the country.

The programme will also include an AFCON-themed experience alongside the music and cultural activities.

The SO UG Stage, powered by Uganda Waragi, will return with a programme focused on contemporary Ugandan music and popular culture. Announced participants include King Saha, Sheila Gashumba, Etania – The Life of the Party, Linus, Abeeka Band and Jackie Chandiru. Comedy, fashion, visual art and interactive activities will also feature on the stage.

Boiler Room will also return to the festival in 2026, with its programme set to connect Ugandan and African artists with its international audience. Further details are expected as part of the wider lineup announcement.

Before the festival, Nyege Nyege will host the second edition of the African Electronic Music Conference (AEMC) from 17 to 19 November.

The conference will bring together artists, collectives, labels, promoters and cultural organisations from Africa and its diaspora. Discussions will focus on touring and mobility, artist development, creative infrastructure, collaboration and the development of Africa’s independent music ecosystem.

AEMC was launched in 2025 alongside the festival and is being developed as a year-round platform for connecting artists, clubs, organisations and music scenes involved in electronic and alternative music across the continent.

Nyege Nyege was established in Kampala in 2015 and has since developed into an international festival focused on music and culture from Uganda and across Africa. Its 11th edition will expand its programme to include film, tourism, fashion and other creative disciplines alongside its established music programme.

Further announcements on the artist lineup, stages, tickets, camping, tourism packages and travel information are expected ahead of the festival.

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