NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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5 chansons qui vous feront danser en septembre

Home/Non classé/5 chansons qui vous feront danser en septembre

« Rosalina remix » – BM. Feat Awilo Longomba (RDC)

BM, le chanteur originaire de la RDC qui est installé en Grande-Bretagne fait des émules sur le web. Il a proposé un remix de son succès « Rosalina », en featuring Awilo Longomba, auteur de « Carolina ».

« Rosalina remix » connaît un succès sur les réseaux sociaux, grâce notamment à un challenge invitant les fans à se filmer en exécutant la danse du morceau.

Du Sénégal au Nigéria, en passant par l’Inde, les États-Unis et la France, le « Rosalina challenge » a emballé de nombreux mélomanes. Le morceau est un mélange de ndombolo, de soukouss et d’afropop.

[video:https://www.youtube.com/watch?v=reQoZa6Z0JE width:853 height:498 align:center autoplay:0]

« Coupé Bikutsi » – Claire Bahi. Feat Mani Bella (Côte d’Ivoire/Cameroun)

Il y a quelques semaines Claire Bahi et Mani Bella avaient promis de faire danser l’Afrique. Les reines de l’ambiance reviennent en force avec un nouveau single intitulé « Coupé Bikutsi », une fusion de coupé-décalé et de bikutsi camerounais.

À travers leur morceau, les deux chanteuses communiquent de la joie de vivre et du bonheur. Les fans qui attendaient impatiemment le single sont enfin servis. « Coupé Bikutsi » est un excellent mix qui devrait les régaler les week-ends.

[video:https://www.youtube.com/watch?v=3b4BhBhpJMA width:853 height:498 align:center autoplay:0]

« Canne à sucre » – Fally Ipupa (RDC)

C’est le second extrait du prochain album du prince de la rumba congolaise. « Canne à sucre » se rapproche d’ « Une minute », un autre tube de Fally, extrait de l’album Arsenals de belles mélodies sorti en 2009.

Une rumba légèrement rythmée et agréable, juste ce qu’il faut pour accompagner des moments de détente en weekend, seul ou en couple.

Le nouveau single est parti pour être le tube de la rentrée. Il a été regardé plus d’un million de fois en seulement deux semaines. Les inconditionnels de la rumba pourront découvrir d’autres morceaux de l’opus Contrôle, que Fally Ipupa s’apprête à publier dans les prochains jours.

[video:https://www.youtube.com/watch?v=JbUWPz7FSe0 width:853 height:498 align:center autoplay:0]

« Replay » – Skriim (Cameroun)

Skriim prend son envol. Le beatmarker camerounais signe son retour avec un nouvel EP intitulé Renaissance.

Connu pour ses titres 100% electro, Skriim a cette fois offert à son public, un disque dans lequel on retrouve une pluralité de styles dont l’afrobeat. « Replay » qui figure sur l’EP Renaissance va faire vibrer les boîtes de nuits du Cameroun.

Le morceau vous fera certainement entrer dans une ambiance de fête dès la première écoute.

[video:https://www.youtube.com/watch?v=Csz-3VJ8Jso&feature=youtu.be width:853 height:498 align:center autoplay:0]

« Ambiance Congo » – Toofan. Feat  Koffi Olomide (Côte d’Ivoire/RDC)

Le titre est inclus dans le nouvel album de Toofan baptisé Conquistadors.  Les rois du « cool-catché » se sont associés à Koffi Olomidé pour faire danser toute l’Afrique. 

« Ambiance Congo » nous rappelle « Ndombolo », un morceau mais aussi une danse congolaise popularisée au milieu des années 90 par Tutu Kaludji, ex-animateur et chanteur du groupe Wenge BCBG. 

Quand le « Gweta » rencontre la rumba congolaise, on se met sans le vouloir à danser.

[video:https://www.youtube.com/watch?v=D0MAEDRN8oM width:853 height:498 align:center autoplay:0]

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