NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zimbabwean Afropop singer Gary Mapanzure dead

16 Oct 2023 - 12:19

cc-img flag-img

Zimbabweans are mourning the death of local Afropop singer Garry Mapanzure who was killed in a car accident in his hometown of Masvingo. Garry, 25, died from serious injuries sustained during a head-on collision on the Beitbridge-Masvingo highway on 13 October.

The later Gary Mapanzure. Photo: Facebook

Mapanzure’s friend Langton Madima, who was driving the car, died on the spot along with the musician’s niece. His sister Margret Zigomo and her friend Respina Machokoto survived the accident.

Mapanzure’s death brought the country’s healthcare system to the spotlight with the family criticising the government for a poor health delivery system. In their view, Garry, who reportedly waited 12 hours for an ambulance to arrive, would have survived had the healthcare system been stable.

“I have one message which will not be right if I don’t say it today,” Kudzai Mapanzure was quoted as saying at his brother’s burial in Masvingo on 15 October. “The health system in Zimbabwe failed Garry. I want to say it because maybe they may hear us. Maybe Garry would have been alive today, maybe somebody’s life or another child, maybe some other family won’t have to go through the pain we are going through. He held on for 12 hours but there was nothing in Masvingo.”

It is reported that a local private ambulance would not transport Garry to Harare unless the family paid $2 900 upfront. In spite of this, Mapanzure died before he was able to receive medical attention. Although most fans blamed the private ambulance, Hopewell Chin’ono, a fierce government critic and journalist, shifted the blame to the ruling party ZANU-PF.

“In any normal country, the first port of call in an accident is public healthcare then you can move to private if you have the money or health insurance,” Chin’ono wrote on social media. “If you are injured today and taken to a private hospital, they will first ask for your medical insurance or cash, that is just how it works. They are doing this because there are ZANU-PF politicians who have used these services and refused to pay, or deliberately don’t pay on time. The important question should be; Why would someone die for lack of a suitable ambulance in a country where citizens are paying taxes daily? The problem is the ZANU-PF government that has refused to fix the healthcare system. I don’t think that blaming a private medical company for government failures is the right thing.”

Meanwhile, music organisations and artists paid tribute to Mapanzure on social media.

“We have a dark cloud in the entertainment industry and the next song I am performing is dedicated to Garry Mapanzure,” Winky D told fans at Kadoma Music Festival shortly before he performed ‘Panorwadza Moyo’, which features the late Oliver Mtukudzi.

The Zimbabwe Musicians Union wrote: “We would like to express our sincere condolences to Gary Mapanzure’s family, friends and fans. Our hearts are saddened by your loss, and our thoughts are with you.”

Mapanzure’s friend and musician, Hillzy, wrote: “I have no words, Garry. I don’t my bro.”

Freeman HKD also wrote “Rest easy my king.”

Having begun his music career late in 2017, Mapanzure released his first single ‘Wapunza’, which has been watched over 4.3 million times on YouTube as of October 2023. His song ‘TV Room’, a collaboration with Hillzy, won an AFRIMA award for Best Artist, Duo, or Group in African R&B & Soul in 2019. Some of his hit singles include ‘Moyo Muti’, ‘Your Man’, ‘Slow’ and ‘Pindirai’. Mapanzure was also selected for Nigerian artist Mr Eazi’s #EMPAWA100 programme after his song ‘Truth or Dare’ gained popularity.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media