NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

UMP Music Awards 2025: All the nominees

06 Oct 2025 - 10:34

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Malawi’s 2025 UMP Music Awards have announced this year’s nominees, with Eli Njuchi, Namadingo and Zeze Kingston emerging as the most nominated artists across several key categories.

Eli Njuchi is among the nominees.

Eli Njuchi, one of Malawi’s leading Afrobeats and R&B artists, received multiple nominations including Artist of the Year (Male), Album/EP of the Year for CIFU, and Best Afrobeats/Fusion Act. He also features in the Best Collaboration category through ‘Ju’ alongside Macelba.

Namadingo, another strong contender, secured nominations for Artist of the Year (Male), Song of the Year for ‘Tuli’, Best Live Act, and Best Music Video for the same track. His fan base, known as Nama Fans, has also been recognised in the Best Fans Award category. Namadingo is further nominated for Tourism Promotion and Humanitarian awards, underscoring his influence beyond music.

Zeze Kingston stands out with nods in Artist of the Year (Male), Best Amapiano Act, Best Live Act and Humanitarian Award. His growing prominence in Malawi’s Amapiano scene reflects the genre’s expanding footprint in the country’s music landscape.

Among female nominees, Jetu and Temwah lead with multiple appearances. Jetu is shortlisted for Artist of the Year (Female) and Song of the Year for ‘Pangolin’, while Temwah appears in Artist of the Year (Female) and Tourism Promotion Award.

Other strong contenders include Joe Ikon, who features in Artist of the Year (Male), Best New Artist (Male) and Best Amapiano Act, while Driemo’s ‘Magini’ competes for Song of the Year and Best Music Video.

In genre categories, Gwamba, Phyzix, and Toast are nominated for Best Hip Hop/Rap Act, while Driemo, Eli Njuchi, Kell Kay, Merchah and Onesimus dominate the Best Afrobeats/Fusion Act category.

The UMP Music Awards continue to honour excellence in Malawi’s music industry, celebrating both established and emerging talent. Special awards this year will recognise Wisdom Chitedze for Lifetime Achievement, while Burna Boy, Diamond Platnumz and Fally Ipupa are among the nominees for Global Impact.

Artist of the Year (Male)

  • Eli Njuchi
  • Joe Ikon
  • Namadingo
  • Onesimus
  • Zeze Kingston

Artist of the Year (Female)

  • Emmie Deebo
  • Jetu
  • Lady Aika
  • Temwah
  • Theresa Phondo

Song of the Year

  • ‘Anemwe – Black Nina
  • ‘Magini’ – Driemo
  • ‘Pangolin’ – Jetu
  • ‘Takulandirani’ – Masintha Women’s Choir
  • ‘Tuli’ – Namadingo

Album/EP of the Year

  • 20 Somethxngs – Praise Umali
  • CIFU – Eli Njuchi
  • Files – Toast
  • Maluba – Merchah
  • With Love, Makadi – Teddy Makadi

Best New Artist (Male)

  • Aju Guffi
  • Chain Oh Abebu
  • Fred MW
  • Joe Ikon
  • Shano Index

Best New Artist (Female)

  • Agulugufe
  • Lady Aika
  • Nae Rae
  • Tink Oana
  • Sife MW

Producer of the Year

  • Cuff B
  • Jmass
  • Richard Billy
  • Savage
  • Tricky Beats

Best Gospel Act

  • Kelvin Sings
  • Masintha Women’s Choir
  • Miracle Chinga
  • Praise Umali
  • Theresa Phondo
  • Genre-Specific Categories

Best Hip Hop/Rap Act

  • Bee Jay & Ace Jizzy
  • Crispy Malawi
  • Gwamba
  • Phyzix
  • Toast

Best Amapiano Act

  • Afana Ceez
  • Fada Moti
  • Joe Ikon
  • Trappy Beats & Cizzle
  • Zeze Kingston

Best Reggae/Dancehall Act

  • Chizmo Sting
  • Malinga Mafia
  • Sangie
  • Sean Morgan
  • Veda

Best Afrobeats/Fusion Act

  • Driemo
  • Eli Njuchi
  • Kell Kay
  • Merchah
  • Onesimus

Best Traditional/Indigenous Music Act

  • Agorosso
  • Amidu
  • Keturah
  • Lawi
  • Sife MW

Performance & Visual Excellence

Best Collaboration

  • Ace Jeezy & Bee Jay ft Daredevils – ‘Jah Bless’
  • Joe Ikon x Kineo & Aidfest – ‘Nkhawa Ndilibe’
  • Kell Kay ft Macelba & Achina Gattah – ‘Sindizapanganso’
  • Macelba ft Eli Njuchi – ‘Ju’
  • Saint x Kell Kay – ‘Ndivailira’

Best Music Video

  • ‘How You Do That’ – Toast ft. Kim of Diamonds
  • ‘Magini’ – Driemo
  • ‘Sikoyamba’ – Afana Ceez
  • ‘Tuli’ – Namadingo
  • ‘Vuu’ – Sean Morgan

Best Music Video Director

  • Director Tonney
  • Kantchowa Studios
  • Keong Kadango
  • Seany Films
  • Twice P

Best Live Act

  • Black Missionaries
  • Maggie Kadrum
  • Namadingo
  • Gwamba
  • Zeze Kingston

Best Duo or Group

  • Aidfest & Kineo
  • Bee Jay & Ace Jizzy
  • Malimba Music
  • Mario Bros
  • Mzuzu Mafia

Africa/Regional/International Categories

African Artist of the Year

  • Burna Boy
  • Diamond Platnumz
  • Tems
  • Tyla
  • Yo Maps

SADC Regional Artist of the Year

  • Diamond Platnumz
  • Mawhoo
  • Onesimus
  • Scotts Maphuma
  • Yo Maps

Best West African Act

  • Angelique Kidjo
  • Davido
  • Stone Bwoy
  • Tems
  • Ayra Starr

Best East African Act

  • Diamond Platnumz
  • Eddy Kenzo
  • Fally Ipupa
  • Khaligraph Jones
  • Zuchu

Best North African Act

  • Amr Diab
  • Elgrande Toto
  • Lartiste
  • Tageel
  • Wegz

Best New African Act

  • Advokate I
  • Eemoh
  • King Paluta
  • Majoos
  • Winny

Global Impact Award

  • Burna Boy
  • Diamond Platnumz
  • Fally Ipupa
  • Master KG
  • Tay Grin

Special Recognition

Lifetime Achievement Award

  • Wisdom Chitedze

Tourism Promotion Award

  • Bucci
  • Namadingo
  • Rashley
  • Tay Grin
  • Temwah

Humanitarian Award

  • Emmi Deebo
  • Gwamba
  • Namadingo
  • Piksy
  • Zeze Kingston

Best Band

  • Black Missionaries
  • Diminish Band
  • Madalitso Band
  • Mibawa Band
  • Visekese Band

Best Fans Award

  • Abale Fans
  • Eli Njuchi Fans
  • Jetu's Fans
  • Nama Fans (Namadingo)
  • Zeze Kingston Fans

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