NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 Naija songs of 2019

05 Apr 2019 - 13:18

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Nigerian hitmaking machines are back in business.

Burna Boy, Timaya, Fireboy DML and Zlatan: Some of the architects of Nigerian pop hits in 2019

Earlier in the year we noted a slow start in the Nigerian music industry. We begged for a hit song akin to 2018's 'Soco', and it seems our prayers have been answered. We've updated the list of the current popular songs from our Naija stars that are sure to keep you moving towards the end of the year.

10. WizKid – 'Joro'

There may be a few occasions WizKid has come short of delivering a spectacular song but ‘Joro’ is certainly not one of them. The chart-topping single is sexy, sensational, simple yet groovy. The music video is centred around a character who is seemingly overcome by a state of ‘mindlessness’, righfuly so, and can’t stop herself from dancing to this Starboy banger.

9. Burna Boy – 'Another Story' (feat. M.anifest)

'Another Story', another hit song from the Nigerian superstar. Released a day before the country’s Independence Day on 1 October, Burna Boy’s artistic skills and musicality again prove why he’s still on top. The political song delivers a strong message while keeping it light and relatable to his fans. Whether you're at home or in the club, this one's a winner.

8. Joeboy – 'Baby'

It's not very common for an animated video (or a visualiser) for a song by an upcoming act to get a million YouTube views. But that is what Joeboy's visualiser for 'Baby' has done. It has beaten the million views mark by over a half-million views. There are a few reasons why this has happened: it is one of the songs chosen by Mr Eazi's Empawa initiative, the video tells a simple love story between two charming characters and, ultimately, the song is catchy.

7. Timaya – 'Balance'

“I really got plans to make the world dance,” Timaya sings on dancehall track ‘Balance’. Mission accomplished.

6. Olamide – ‘Woske’

The video for ‘Woske’ has Olamide in a suit channeling Michael Jackson in 'Smooth Criminal' and perhaps 'You Rock My World'. The song has faint disco elements but retains a Nigerian vibe. A similar mix of foreign and local styles gave him the hit ‘Motigbana’ last year. He has pulled it off again.

5. DMW, Davido & Zlatan – ‘Bum Bum’

Released under DMW, the name of Davido’s group and label, ‘Bum Bum’ features the vocals of popstar and rapper of the moment Zlatan. No marks for guessing what the song is about.

4. T Classic – ‘NFPY’

Newcomer T Classic sings a love song over a beat with traditional Yoruba elements, soft strings, as well as a galvanising pop beat. The chorus’s insistence on the beloved’s beauty—“Nobody Fine Pass You”—means fans have a line to chant to in the clubs.

3. Zlatan – ‘Zanku (Leg Work)’

The song that is the soundtrack to the current dance craze across the country was released last year. The video, though, was released this year. As everybody expected, it is filled with variations of the dance.

2. Fireboy DML – 'Jealous'

The album from Olamide’s group YBNL Mafia might not have caught on like the rapper’s first few albums, but ‘Jealous’ from the album has become a fan favourite. For many, the song was first heard in the video for Olamide’s ‘Woske’. That snippet was enough to send many looking for the song. When they found it, young act Fireboy got his first hit.

1. Burna Boy x Zlatan – 'Killing Dem'

Two of the country’s hot artists got into the studio and the result is the impressive ‘Killing Dem’, a song that is all killer and no filler. From the moment Kel P’s beat drops, there is no respite for the listener. If you don’t move, you might have to check with the doctor.

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