NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

South Sudanese musicians to play for refugees in Uganda

20 Sep 2018 - 10:25

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Uganda-based South Sudanese musicians will hold a free concert to commemorate International Day of Peace at the Rhino Camp Refugee Settlement in Uganda tomorrow.

Samse Sam will perform at the Peace Jam 2018 on Friday.

The concert, titled Peace Jam 2018, is sponsored by the German Zivik programme and organised by South Sudanese record label Talent 211 Filmz in partnership with Platform Africa and #DefyHateNow, a community peace-building initiative aiming to combat online hate speech and mitigating incitement to offline violence in South Sudan.

The musicians set to perform include Duku Mulolo Diki, Samse Sam, Dr Franko, Mac Ville, Deyo Da General, Nicky Jay, Filter Bob, Jackia Ug, T-Bang, Ronny Riddimz, Mary Dudu, Rule-Kid Kataal, Danieta, Free-Boy Adams and Pasha Amaro.

A new peace song titled ‘Kifaya’ (Enough), which features the above-mentioned artists, will also be unveiled during the concert.

“International Day of Peace is paramount to us,” Talent 211 Filmz boss Samse Sam said. “As an artist this day requires me to go out and encourage peaceful coexistence, reconciliation and nation-building. It is also a day to show our solidarity with those affected by conflict and political instability, in this case the refugees.”

On 12 September, South Sudan's President Salva Kiir and opposition leader Riek Machar signed a peace agreement in Addis Ababa, Ethiopia, which is meant to end a civil war that has killed at least 50 000 people and displaced about 3.5 million since it officially began five years ago.

Samse Sam said the new development offered hope for those living outside the country. He said that despite a faction of rebels rejecting the agreement, he was optimistic that the country would begin a process towards absolute peace.

“If our leaders, who are supposed to be our mentors, signed the peace deal without any hidden agenda, then there is hope for a sustainable peace in my country,” he said. “I would encourage them to open-mindedly implement this accord practically to rejuvenate the hope of the new nation and put the interest of the citizens above their own.”

Samse Sam said many refugees had expressed interest in returning back to South Sudan, but many were discouraged by the collapse of previous peace agreements.

He said #DefyHateNow had conducted social media and hate speech training with the Peace Jam 2018 artists on 7 and 8 September in Arua, Uganda, where they were advised on how to use their online presence in a positive manner.

“As musicians we have thousands of followers and it's always imperative to use social media effectively to promote peace rather than inciting people and sharing unverified information. This is very common among South Sudanese musicians and citizens in the diapora."

For more information about Peace Jam 2018, click here.

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