NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMAs 2023 announce first batch of winners

17 Nov 2023 - 14:54

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The Recording Industry of South Africa (RiSA) has announced non-broadcast winners of this year’s South African Music Awards (SAMAs), with the remaining batch set to be unveiled at SunBet Arena in Pretoria on 18 November.

Kabza De Small received two non-broadcast awards. Photo: Facebook

Kabza De Small is so far leading with a total of two awards in the Best Produced Album and Best Engineered Album categories. As the second most nominated artist for this year’s SAMAs, this puts Kabza De Small ahead with two out of seven of his nominations in the bag. The late AKA won Best Engineered Album for Mass Country in collaboration with Robin Kohl and Itu, and with eight nominations in total, AKA continues to lead the SAMAs nominees.

With just two years under his belt as a solo artist, Mörda took home the Best Dance Album award for his first solo project Asante, named after his daughter. Additionally, he won the Remix of the Year award for ‘Ndinovalo’ in which he partnered with Yallunder, and he is also nominated for Best Collaborations with House DJ Oscar Mbo. Desire Marea triumphed in the Best Alternative Album category while Dumi Mkokstad and Ntokozo Mbambo took home Best Traditional Faith Album and Best Contemporary Faith Music Album awards, respectively.

“Our winners are always a reflection of the work that is put into their craft and the music industry as a whole,” RiSA CEO Nhlanhla Sibisi said. “These artists, producers, writers and musical practitioners invest years into this moment and we are so grateful that we are able to acknowledge and celebrate them for SAMAs29. This is just the beginning of the trajectories of their careers and we encourage them to continue to leave an undeniable mark on the South African music industry and the world. We commend you on your excellence.”

Below is the list of non-broadcast winners:

Best Adult Contemporary Album

  • Dark Secrets – Louise Carver
  • Bait For Steps Forward – Nobuhle Ashanti
  • Memories – Drakensberg Boys Choir
  • Ndikhethiwe – Vusi Nova
  • Love – Viwo Kulati

Beste Kontemporere Musiek Album

  • Toe Roep Ek Jou Naam – Jan Blohm & Ryno Velvet
  • Sing, Hoop, Weerklink – Prop
  • Skree Net Sag – Alter Ego
  • Ep In F – Herman Kleinhans
  • Jagvat – Jan Rhaap

Best African Adult Contemporary Album

  • Usiba Lwe Gazi – Nathi
  • Celebrating African Song – Dumza Maswana,
  • Smile – Choko
  • I am Gold – S'nazo
  • Ubuhle Ubuhle – Lethiwe Sithole

Best Alternative Album

  • On the Romance of Being – Desire Marea
  • Glitch Vol 2: The Future Is Now – uBeyond
  • Synthetic Hearts – Msaki and Tubatsi
  • Blue Lawns – The Great Yawn
  • Leaving All The Time – Bye Beneco

Best African Indigenous Faith Album

  • Emmanuel – JTG Gospel Choir
  • Mantswe A Supileng – Spiritual Gospel Choir
  • Ikhoni Mfuyo – In Zion of Christ
  • Ba Ya Mo Nyatsa – Wacha Mkhukhu Wachumlilo
  • Ntate Le Rato La Hao – Ingqayizivele Gospel Choir

Best Classical/Instrumental Album

  • Fire Beast – Vox Chamber Choir and Franco Prinsloo
  • Live in Europe 22 – CH2
  • One Night On Earth – Derek Gripper
  • Maike – Juliet String Quartet
  • Sanctuary – Carol Thorns

Best Reggae Album

  • Unleashed – Blakka Yut
  • Youth's Cry – Botanist Mr Lamington
  • Red Carpet Live – Maximum Stylez
  • Flight More Riddim – Blackness Blue Productions
  • Healing – Lavoro Duro

Best R&B Album

  • But Could The Moments in Between – Ndumiso Manana
  • Germander II – Lesego Kyle Mnyandu
  • 4LUV (Deluxe) – Sihle Sithole
  • Bad Weather – Nanette Siphesihle
  • Passion Fruit – Kabomo

Best Dance Album

  • Asante – Morda
  • Next Level – Russell Zuma
  • The Gospel According to Artwork Sounds – Grain
  • WL4OM – Bonga Ntozini
  • A New Dawn – Siyanda Makanya

Best Rock Album

  • Kanniedood – Francois Badenhorst
  • Fine Thanks, and You? – Russell Coward
  • Hellcats – End of Days – Warwick Rautenbach/Alessandro Benigno
  • Fuzigish – Malcolm King
  • Testify – Basson Laubscher

Best Afropop Album

  • Isibuko – Sjava
  • From A God to A King – Kelly Khumalo
  • Idwala – Mafikizolo
  • Love is Pain – Venom
  • Ekhayakomama – Philadlozi Mfekayi

Best Traditional Faith Album

  • The Overflow – Dumi Mkokstad
  • Hoja Ke Sena Wena – IPCC
  • Ndiyabulela – Tsholofelo Ntuli
  • The Grace Encounter Vol. 1 – Phumulani Radebe
  • Sedi Laka – Brown Mosiapoa

Best Contemporary Faith Album

  • Lavish Worship – Ntokozo Mbambo
  • Mhalamhala – Brenden Praise
  • Take Heart – Hle
  • Restored: The Jesus Collective – The Jesus Collective
  • Hope – Vincent Jiyane

Best Jazz Album

  • In the Spirit of Ntu – Nduduzo Makhathini
  • Isambulu – Linda Sikhakhane
  • Blk Elija & The Children of Meroe – Thandi Ntuli
  • The 1st Gospel – Mthunzi Mvubu
  • Finish the Sun – Shane Cooper and Mabuta

Best Produced Music Video

  • Shine – Elaine (producer: Shayna Gianelli; director: Jesse Ray Diamond)
  • Lemons (Lemonade) – AKA featuring Nasty C (producer: Tebogo Mabaso; director: Nate Thomas)
  • Sete – K.O featuring Young Stunna & Blxckie (producer: K.O, Tsholofelo Moremedi, Ted Magerman; director: Ted Magerman)
  • Be Free – Desire Marea (producer: Will Nicholson; Director: Imraan Christian
  • Been Thinking – Tyla (producer: Jimi Adesanya; director: Meiji Alabi)

Best Produced Album

  • KOA II Part 1 – Kabza De Small (producer: Leslie George Theko, Artwork Sound, Da Muziqal Chef, Mdu aka TRP, Stakev, DJ Maphorisa and Felo Le Tee)
  • Things We Don’t Talk About – Jimmy Nevis (producer: Darren Petersen)
  • Amukelani – Kelvin Momo (producer: Kelvin Momo)
  • Lindokuhle – Lindokuhle (producer: Mthunzi, Howard, Herc, Tshepo Morone, DJ Maphorisa, Masiano)
  • Isibuko – Sjava (producer: Delayde, Ruff, Jah Cool)

Best Engineered Album

  • Mass Country – AKA (engineered & produced by Robin Kohl and Itu)
  • To Whom it May Concern – Sincerely Anne (engineered and produced by Tjaart van der Walt and Daniel Baron)
  • Kanniedood – Francois van Coke (engineered & produced by Taylor Soundworks)
  • Blk Elijah & The Children of Meroë – Thandi Ntuli (engineered & produced by Shane, Tshepo, Thandi & Clinton)
  • Isibuko – Sjava, (engineered & produced by Ruff)

Best Pop Album

  • Seasons – Lloyiso
  • Things We Don't Talk About – Jimmy Nevis
  • Heard You Got Love – Jeremy Loops
  • Game Over – Tyler Page
  • Petrichor – Amy Lilley

Remix of the Year

  • Ndinovalo – Morda
  • Sete – K.O featuring Young Stunna, Oxlade & Diamond Platnumz
  • Hayii Citizen Deep Remix – Citizen Deep X Mzux Maen ft Yasmin Levy
  • Au Dede – Karyendasoul
  • Tobesta Remake – Myztro featuring Focalistic, Daliwonga, Shaunmusiq and Ftears

Best Maskandi Album

  • Umqhele Nethawula – Khuzani
  • Ngeke Ungiphathe – Menzi
  • Is’khiye Se-Coldroom – Thokozani Langa
  • Iphakade Lami – Abafana Bakamgqumeni
  • Home Alone – Inkos'yamagcokama

Best Kwaito Album

  • Speak n Vrostaan – Kwesta and Kabza De Small
  • R Mashesha – Big Nuz
  • I Am Who I Am – Nkiyase
  • Jukebox – Shisaboy
  • Barabbas – Taylor K

Best Gqom Album

  • Meeting with the King – DJ Lag
  • Fikelephi – Sizwe Mdlalose
  • Love & Light – Cairo CPT
  • Nande 2.0 – DJ Sandiso
  • Ithuba – Newlandz Finest

Rest of Africa Award

  • Sounds of Peace – Moreira Chonguiça
  • Sad Romance – CKay
  • Timeless – Davido
  • Worry – Lyre
  • Dynastie – Ferre Gola

The second batch of SAMAs winners can be broadcast below:

[video:https://youtube.com/live/HzevQqLREj0 width:744 height:446 autoplay:0]

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