NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMAs 2022 Day 1: All the winners

27 Aug 2022 - 19:53

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The Recording Industry of South Africa (RiSA) has announced the the first batch of this year’s South African Music Awards (SAMAs) winners at the Sun City Superbowl in Rustenburg on 27 August.

Chymamusique is among the winners.

The remaining winners will be announced at the same venue on 28 August. Among some of the most popular winners include Nomfundo Moh, who won the Best Afro Pop Album while Chymamusique took home his first SAMA award when he emerged tops in the Best Dance Album category.

Msaki clinched the Best Adult Contemporary Album for Platinumb Heart Open while Dladla Mshunqisi’s Umshunqo Reloaded earned him the Best Gqom Album accolade. Amarato claimed the Best Kwaito Album Sun-El Musician and Azana walked away with the Remix of the Year for Uhuru. The Best African Adult Contemporary Album award went to Mandisi Dyantyis while Thokozani Langa took the Best Maskandi Album Award.

Yvonne Chaka Chaka received the inaugural Chairman's Award for her unique and outstanding contributions to the music industry's growth, success and sustainability. Other winners in different categories include Young Stunna, Jimmy Dludlu and Nigeria's Tems.

Meanwhile, the ceremony featured performances from Master KG, Khuli Chana, Brian Temba, Puleng March, Ncebakazi Msomi, Reign Afrika, Mobi Dixon and Joda Kgosi.

“We are immensely proud of the recipients of these technical excellence awards," RiSA CEO Nhlanhla Sibisi said. "Their hard work and dedication to their craft has been acknowledge. We are incredibly excited about the main awards set for 28 August 2022 and look forward to celebrating with South African music lovers.”

Below is the first batch of winners:

Best Adult Contemporary Album

  • Platinumb Heart Open – Msaki
  • Tapestry – Thapelo Lekoane
  • Where The Light Gets In – Pat McCay
  • Elephant In The Room – Watershed
  • Brother – Jacob Swann

Best Classical/Instrumental Album

  • African Bird – Khanyisile Mthetwa
  • Pangaea – Wouter Kellerman and David Arkenstone
  • It Takes Three – Charl Du Plessis Trio
  • Afrikaans – Scheppel
  • Franco Prinsloo: Kruis Van Liefde – Franco Prinsloo and Vox Chamber Choir

Best African Adult Contemporary Album

  • Cwaka – Mandisi Dyantyis
  • Thetha Mama – The One Who Sings
  • Camagu – Ntando
  • 2020 – Joe Nina
  • The Red Stoep – Nomfusi

Beste Kontemporêre Musiek Album

  • Volume – Die Heuwels Fantasties
  • Al Die Ysters – Jan Jan Jan
  • Sangoma Sandilands and Jou Pa Se Posse Maanskyn – Neil Sandilands
  • Twintigeenentwintig – Jennifer Zamudio
  • Woorde – Jodi Jantjies

Best Traditional Album

  • Tshihwilili Tshanga – Dr Mercy Masakona Madzivhandila
  • Dlozified – Mkhanyakude
  • Dziya Fhirtana – Vha Venda Cultural Group
  • Mathotse – Tau Sebata
  • Hantam Kerfees – Klipwerf

Best Reggae Album

  • Trailblazer – Reign Afrika
  • He Crowned I Emperor – Skeleton Blazer
  • Hard To Believe – Ras Canly
  • The Shift – Botanist Mr Lamington
  • Ngatanngwe – Red I Scorch

Best Jazz Album

  • History In A Frame – Jimmy Dludlu
  • At This Point In Time Voices in Volumes – Herbie Tsoaeli
  • Music From My People – Sibusiso Mash Mashiloane
  • Revision – Steve Dyer
  • Quiet Please – McCoy Mrubata

Best Contemporary Faith Music Album

  • Sacrificial Worship (Live) - Pulane Maphari
  • My Heart To Him – Thabelo
  • Denga – Kingdmusic
  • Find Me Singing – Lauren Cullen
  • The 34th Psalm – Ncebakazi Msomi

Best Traditional Faith Music Album

  • Vela Nkosi – Jumbo
  • In the Beginning – Paul K
  • Heaven’s Scroll – Puleng March
  • The Great Revival – Takie Ndou
  • Shrubs of Chronicle (Live) – Zaza

Best African Indigenous Faith Music Album

  • Similapha Nkosi – NUZ Voices Of Joy
  • Ba Bosiu – Isaac and The Mighty Messengers
  • Re Kopa Go Wena Ramasedi – JTG Gospel Choir
  • Ore Etele Mohloeki – The Harmony Singers Artist Development
  • Swi Lava Yeso – Zion Iskhalanga Academy

Best Maskandi Album

  • Idaymani – Thokozani Langa
  • Ziyashisa – Makhamnandi
  • Wangikhulisa uMama – Shwi Nomtekhala
  • Phakathi Komhlane nembeleko – Udumakahle
  • Ivila Laselawini – Mzukulu

Best Alternative Music Album

  • Glow – Alice Phoebe Lou
  • City Of God and The Jungle Below – Daniel Baron
  • Night Speak – Lo-Ghost
  • Romance Was Born – Anna Wolf
  • Child’s Play – Alice Phoebe Lou

Best Rock Album

  • Partypocalypse – Springbok Nude Girls
  • Headlights Dream – Steve Louw
  • Revolution – Tim Parr
  • Ennui – Deity’s Muse
  • Sacred Sound – Albert Frost

Best R&B/Soul Album

  • It’s All You – Brian Temba
  • Real Talk – P.Postman
  • The Arrival – Melleng
  • Sour Milk – Joda Kgosi
  • It Is What It is – Mikhale Jones

Best Pop Album

  • Trouble In Paradise – Shekhinah
  • Souvenirs – Jeremy Loops
  • Motion – Tresor
  • A Journal – Bonj
  • Don’t Let Go – Jacky Carpede

Beste Pop Album

  • Niks Vergelyk – Posduif
  • Hier Waar Ek Nou Is – Juan Boucher
  • Prisma – Janie Bay
  • Rugsak – Elandrê
  • Roekeloos – Rita Li

Best Afro Pop Album

  • Amagama – Nomfundo Moh
  • iStiff – Mnqobi Yazo
  • New Faces To Old Problems – Bonga Kwana
  • Sukulila – Cici
  • Amalobolo – Aubrey Qwana

Best Produced Music Video

  • ‘When House Was House’ by Mobi Dixon feat. Mariechan and JNR SA – Mabi Ntuli and Shona
  • ‘Inhlupheko’ by Big Zulu – Edward (Gobi Beast) and Ofentse Mwase
  • ‘Playback’ by K.O. – Ted Magerman
  • ‘Mamezala’’ by Mafikizolo ft. Simmy – Dale Fortune
  • ‘Finessin’ by AKA – Mninizo Sitho and Nhlanhla

Best Engineered Album of the Year

  • It Takes Three by Charl Du Plessis Trio – Peter Auret
  • Candid by Moonga K – Greg Abrahams, Mike Zietsman and Vicente Espi
  • Ghetto King by Zakes Bantwini – Zakes Bantwini
  • Pheli Makaveli by 25K – Sibabalwe Andile Fiphaza
  • City Of God and The Jungle Below by Daniel Baron – Daniel Baron and Darryn Muller

Rest of Africa Award

  • ‘If Orange Was A Place’ – Tems (Nigeria)
  • ‘Son of A Tribe’ – Edgar Muzah (Zimbabwe)
  • ‘Karabo’’ – Malome Vector (Lesotho)
  • Boyfriend’ – Ckay (Nigeria)
  • ‘Love & Isolation’ – Tay Iwar (Nigeria)

Remix of the Year

  • Sun-El Musician, Azana and Da Capo – Uhuru by Sun-El Musician and Azana
  • Manyelo Dafro, Bassekou Kouyate and Da Capo – Ladon by Manyelo Dafro ft Basekou Kouyate
  • Lira and DJ Maphorisa – Feel Good by Lira
  • Da Capo – Mama by Josiah De Disciple and Boohle
  • DJ Cleo – Gcina Impilo Yam by Bucy Radebe

Best Kwaito Album

  • Ama Roto Vol.2 – Reece Madlisa and Zuma
  • Don’t Lose Focus – Sukiri Papa
  • Let Dogs Lie Low – Simple Eugene
  • Kwaito Pallet – Shisaboy
  • Trip To Jozi – King Razo

Best Gqom Album

  • Umshunqo Reloaded – Dladla Mshunqisi
  • Khula – Bello No Gallo
  • Summer Banger – Dlala Thukzin
  • Best Of The Best – T-Man
  • The Journey – Slenda Da Dancing DJ

Best Dance Album

  • Musique – Chymamusique
  • Muzika – Miza
  • Ghetto King – Zakes Bantwini
  • When House Was House – Mobi Dixon
  • African Electronic Dance Music – Sun-El Musician

Chairman’s Award

  • Yvonne Chaka Chaka

Best Selling Artist

  • Notumato by Young Stunna

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