NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

This is Nigeria ban: Rights body demands reversal

16 Aug 2018 - 10:02

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The Socio-Economic Rights and Accountability Project (SERAP) has demanded a reversal of the decision by the Nigerian Broadcasting Corporation (NBC) to ban three songs, including ‘This Is Nigeria’, a single by Falz. The rapper's famous lawyer father, Femi Falana, sits on the SERAP board of directors.

Falz's 'This Is Nigeria' has received backing from the Socio-Economic Rights and Accountability Project (SERAP).

“The NBC is adopting vague rules of vulgarity and indecency to undermine freedom of expression, right to information and opinion,” reads a statement by the body.

“By banning the radio station from playing the songs, the NBC is not only undermining and harming the station but also undermining everyone’s right to information, public participation and open and democratic governance.”

SERAP was established in 2004 and has, as said by the body’s executive director, Adetokunbo Mumuni, “worked to hold the government to account through the framework of human rights and anti-corruption laws and standards”. Over the years, the body has tackled and petitioned several organs of the Nigerian government over breaches of human rights and other issues.

Its interest in the current case places the body in the ranks of a large group of Internet users who have decried the NBC’s ban.

“Article 19 of the International Covenant on Civil and Political Rights to which Nigeria is a state party includes the right of individuals to criticise or openly and publicly evaluate their governments without fear of interference or punishment,” SERAP writes.

“It is important for the NBC to strive to promote diversity of views, and the media’s importance as a platform for public debate about important matters of public interest and ideas. Censorship or impermissible restrictions in the exercise of media freedom and freedom of expression can restrict free circulation of ideas and opinions and impose obstacles to the free flow of information.”

The Muslim Rights Concern, an Islamic body that had previously threatened to sue Falz, has already taken responsibility for instigating the ban.

“We asked Falz to withdraw the video or we would sue him,” says a statement from the body. “Instead of showing remorse he dared us. We knew he could delay the court case for years because he is a lawyer and he would use every trick in the books to frustrate us. That was why he was boasting. Therefore, instead of going to court, we decided to ambush him by sending a petition to the video board. This week, the NBC banned the video and others like it.

“He should be the one to go to court now if he likes. Let him go and show how brilliant he is in court. He and his fans laughed at us when we complained about his provocative and vulgar video. But there is no doubt that he who laughs last laughs best. It is hoped that Nigerian artists will borrow a leaf from this episode.”

Falz has said he would consider taking the NBC to court to contest the ban.

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