NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya: Benga musician in exile over video

01 Aug 2017 - 13:56

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Kenyan Luo benga musician Atomy Sifa is in self-exile, a Kenyan publication reported on Sunday.  

Kenyan President Uhuru Kenyatta.

Atomy Sifa, whose real name is Tom Mboya Ang’ang’a, fled to Tanzania a week ago after claiming that his life was in danger. He says several individuals threatened him for betraying Kenyan opposition leader Raila Odinga.

This after Ang’ang’a released a song two weeks ago that urges the Luo community in western Kenya to pledge allegiance to President Uhuru Kenyatta. The song, ‘Uhuru Nyale’ (Uhuru is Capable), also urges the Luo to stop following Odinga, a plea that has not been met favourably by some members of the community ahead of the 8 August presidential election.

Odinga, who is from the western province of Nyanza, is the official presidential flagbearer of the National Super Alliance (NASA), whereas Kenyatta, who hails from Kenya’s central region, is the leader of the Jubilee Party of Kenya.

“People called me, threatening that they would kill me for insulting Odinga in the song,” Ang’ang’a said. “I never knew what the song was all about. I was invited to be part of the video but later realised it was defaming Odinga.”

However, a source who took part in the production of the song and video told the Kenyan publication that top Jubilee Party bloggers and officials from Nyanza approached four Luo musicians, including Ang’ang’a, to compose songs praising Kenyatta, but the two parties had failed to reach an agreement about payment. The source said Ang’ang’a later met the bloggers separately to sign a contract and was given prewritten lyrics that were not to be changed.

Musicians from Nyanza say Ang’ang’a was told not to set foot in the Nyanza region again. “We have disowned Ang’ang’a for composing a song which is shameful at a time when the region’s political kingpin seeks the highest office in the land,” musician Otieno Small said.

According to relatives, Ang’ang’a’s home in Homa Bay County, Nyanza, is now deserted.

“Ang’ang’a has been praising Odinga in his songs for years and has nothing to show for it. What is wrong when he praises President Kenyatta?” a family member said.

Another relative, Joachim Mboya, said: “Ang’ang’a is an orphan who has been struggling to earn a living. However, it was wrong for him to make a laughingstock of the whole Luo community.”

The Jubilee Party's Homa Bay County governorship candidate, Tom Alila, said: “Police have the duty to protect Mr Sifa and his relatives because we cannot withstand those violating other people’s right of expression.”

Meanwhile, in an effort to redeem himself, Ang’ang’a shot three videos praising Odinga before fleeing to Tanzania. Ang’ang’a told Music In Africa that the videos – 'Nasa Hao', 'Agwambo Tibim' and 'Agwambo Joshua' – were shot over two days.

Here is one of them:

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