NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

IFPI report: Sub-Saharan Africa fastest growing global region in 2022

22 Mar 2023 - 08:45

cc-img flag-img

Africa’s contribution to the global recorded music market registered a significant milestone in 2022, with the sub-Saharan region posting impressive revenue numbers, according to the International Federation of the Phonographic Industry’s (IFPI’s) Global Music Report 2023 released this week.

Warner Music Africa managing director Temi Adeniji.

IFPI ranks sub-Saharan Africa as the fastest growing region after it saw a 34.7% growth in 2022. The report shows growth in all of the seven regions it monitors.

The Middle East and North Africa region (MENA), the fastest growing market in 2021, had the third highest growth rate in 2022, with an increase of 23.8% and racking up the highest share for streaming in any region globally (95.5%).

The growth in sub-Saharan Africa was driven largely by a significant boost to revenues in South Africa (+31.4%), the region’s largest market.

Overall, total global trade revenues for 2022 stood at $26.2bn, representing a 9% increase from 2021.This was driven by a significant growth in paid subscription streaming.

Subscription audio streaming revenues increased by 10.3% to $12.7bn with the help of 589 million paid subscribers, who were counted at the end of 2022. Total streaming – including both paid subscription and advertising-supported – grew by 11.5% to reach $17.5bn, or 67% of total global recorded music revenues.

There was growth in other areas, too, with physical revenues remaining resilient (+4%) and performance rights revenue increasing by 8.6% to return to pre-pandemic levels. Synchronisation income climbed by 22.3%.

“This year’s report tells the continued story of record companies’ commitment to their core mission – working with artists to help them achieve their greatest creative and commercial potential over the course of a career,” IFPI CEO Frances Moore said. “That requires an artist-label partnership that constantly evolves and innovates so that it can capitalise on opportunities in more business areas and more parts of the world.

“Record companies’ investment and innovation has helped make music even more globally interconnected than ever, building out local teams around the world, and working with artists from a growing variety of music scenes. This is driving music’s development whilst enabling fans to seize the expanding opportunities to embrace and celebrate their own local artists and culture.

“However, as the opportunities for music continue to expand, so too do the areas in which record companies must work to ensure that the value the music artists are creating is recognised and returned. This challenge is becoming increasingly complex as a greater number of actors seek to benefit from music whilst playing no part in investing in and developing it.”

Besides detailing the music market’s revenues, the report also delves into other aspects of the music business such as trends, artist well-being, new opportunities for artists, and the place of artificial intelligence in music, among other topics.

Warner Music Africa managing director Temi Adeniji is quoted in the report as saying: “Across the continent, we’re seeing users switch from traditional media to digital platforms. That shift is benefiting artists and music as they’re at the heart of mainstream digital platforms from audio streaming to short-form video.

“A challenge for the music industry as a whole is to convert users from ad-based services to paid subscription. In South Africa, for example, we only have around 4 million paid subscribers in a country of nearly 50 million people. So, we have to make sure that more ad-based services act as a funnel to subscription.

Below is an overview of how recorded music revenues grew in every region around the world in 2022:

  • Sub-Saharan Africa: The fastest growing region in 2022 with more than 30% growth (34.7%). Sub-Saharan Africa was driven largely by a significant boost to revenues in the region’s largest market, South Africa (+31.4%).
  • Middle East and North Africa: Previously the fastest growing market in 2021, MENA had the third-highest growth rate in 2022, seeing an increase of 23.8%, and representing the highest share for streaming of any region globally (95.5%).
  • The US and Canada: The region was the world’s largest in revenue terms. It grew by 5% in 2022, with the world’s single biggest market, the US, growing by 4.8% – exceeding $10bn for the first time. Canadian recorded music revenues increased by 8.1%.
  • Europe: Revenues in Europe, the second-largest recorded music region in the world, grew by 7.5%, with the region’s three biggest markets all posting gains: UK (+5.4%), Germany (+2.2%) and France (+7.7%).
  • Latin America: Saw gains of 25.9%, maintaining more than 10 years of regional increases. Every market in the region posted double-digit growth.
  • Australasia: Experienced growth of 8.1%, an increase on the prior year’s growth rate of +4.7%. Australia (+8.1%) remained a top 10 market globally and New Zealand saw a rise in streaming revenues push the overall market to growth of 8.0%.
  • Asia: Grew by 15.4% with its largest market, Japan, seeing growth of 5.4% while the second largest market, China, grew by more than 20% (28.4%), becoming a global top-five market for the first time. In a continuing trend, Asia also accounted for almost half of global physical revenues (49.8%).

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media