NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

IFPI: Recorded music revenues in Sub-Saharan Africa grew by 22.6% in 2024

20 Mar 2025 - 08:32

cc-img

Recorded music revenues in Sub-Saharan Africa grew by 22.6% in 2024, surpassing US$100 million for the first time and reaching US$110 million, according to the International Federation of the Phonographic Industry (IFPI), the organisation representing the global recording industry.

IFPI regional director for Sub-Saharan Africa Angela Ndambuki.

This is by far compared to IFPI’s 2023 and 2024 reports where global recorded music revenues grew by 9.0% and 10.2%, respectively.

Commenting on the development, IFPI regional director for Sub-Saharan Africa, Angela Ndambuki, said “the continued growth in recorded music revenues in Sub-Saharan Africa is a clear testament to the strategic actions the record companies undertake to create opportunities in the region not only for artists but also for fans of recorded music.”

Ndambuki highlighted the region’s significant growth in digital revenues, particularly through subscription streaming, over recent years.

“Without a doubt, technology is an important driver of this success and, therefore, it is crucial for the region to prioritise the improvement in national policies and regulatory environments so as to attract further investment in the wider recorded music business.”

Figures released in IFPI’s Global Music Report 2025 also revealed that total global recorded music revenues had grown for the tenth consecutive year, reaching US$29.6 billion in 2024, an increase of 4.8%.

IFPI said the sustained growth of the global market had been driven by record companies’ long-term investments in artists’ careers, as well as the development and licensing of innovative ways for fans to engage with music. Every region experienced revenue growth in 2024, demonstrating the industry’s resilience and expansion.

IFPI CEO Victoria Oakley said the global industry’s continued growth shows the role played by music in people’s lives. She expressed optimism about future opportunities for the industry. “What is so exciting is that there is still great potential for further development, through innovation, emerging technologies, and investment in both artists and the evolving parts of the growing global music ecosystem.”

Oakley also credited the dedication and creativity of artists, songwriters, and record companies for the industry’s success. “These positive developments don’t happen by accident. They reflect the brilliant creativity, vision and hard work of artists and songwriters around the globe, powered in part by the work, investment and passion of record companies and their teams. In the case of record labels, returning revenues enable them to be patient, long-term, consistent investors in artists, innovation and culture.”

One key issue highlighted in the report was the role of artificial intelligence in music. Oakley acknowledged record companies had embraced AI’s potential to enhance artist creativity and fan experiences. However, she warned of the risks posed by generative AI systems using copyright-protected music without authorisation from rightsholders.

She called on policymakers to take action. “We are asking policymakers to protect music and artistry. We must harness the potential of AI to support and amplify human creativity, not to replace it.”

Regional growth in the global music industry

The Global Music Report 2025 also detailed revenue growth across different regions worldwide:

  • USA & Canada (+2.1%): Representing 40.3% of global recorded music revenues, the USA and Canada saw a revenue increase of 2.1% in 2024. The USA, the world’s largest recorded music market, grew by 2.2%, while Canada, the eighth largest market, experienced 1.5% growth. However, the 2023 figure for Canada had included a one-off payment in performance rights revenues.
  • Europe (+8.3%): Accounting for 29.5% of global revenues, Europe remained the second-largest recorded music market, with revenues increasing by 8.3% in 2024. The region’s three largest markets all posted growth: the UK (+4.9%), Germany (+4.1%), and France (+7.5%). Europe contributed more revenue growth than any other region.
  • Asia (+1.3%): Asia, the third-largest region globally, saw revenues rise by 1.3% in 2024. This followed a strong performance in 2023, when revenues had grown by 14.4%. The region remained the largest physical market, accounting for 45.1% of global physical music revenues. However, a 4.9% decline in physical sales impacted overall growth. Japan, the world’s second-largest market, remained flat (-0.2%), while China, ranked fifth globally, recorded a 9.6% increase in revenues.
  • Latin America (+22.5%): Latin America recorded significant revenue growth of 22.5% in 2024, marking its fifteenth consecutive year of growth and once again surpassing the global growth rate. Streaming remained the primary revenue driver, accounting for 87.8% of the region’s total recorded music revenues. Brazil saw a 21.7% increase, making it the fastest-growing market among the global top ten, while Mexico’s revenues grew by 15.6%, allowing it to enter the top ten global recorded music markets for the first time.
  • Australasia (+6.4%): Recorded music revenues in Australasia reached US$629 million, growing by 6.4% in 2024. Australia increased its revenues by 6.1% but dropped out of the top ten global markets, being replaced by Mexico. New Zealand recorded a 7.8% increase in revenues.
  • Middle East & North Africa (MENA) (+22.8%): MENA was the fastest-growing region globally, with recorded music revenues rising by 22.8% in 2024. The market remained dominated by streaming, which accounted for 99.5% of total revenues.

The Global Music Report 2025 painted a positive picture for the future of recorded music worldwide, with each region showing continued expansion and adaptation to new technological and market trends.

Access IFPI’s 2025 Global Music Report here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media