NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Gregory Porter set for South Africa show in 2023

17 Aug 2022 - 13:35

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American Grammy award-winning singer and songwriter Gregory Porter will perform in Cape Town and Johannesburg in January next year.

Gregory Porter. Photo: Erik Umphery.

Hailing from New York, Porter will start his tour at Kirstenbosch National Botanical Garden in Cape Town on 21 January. This will be followed by three concerts in Johannesburg at Montecasino’s Teatro on 26, 27 and 28 January.

The tour, titled An Intimate Evening with Gregory Porter, is presented by local promoter Showtime Management. This won’t be Porter’s first time in South Africa having performed at the Joy of Jazz festival in 2014 and 2015.

“Whether he’s recording, streaming or live on stage, Gregory Porter's stature is far bigger in the hearts of his South African fans,” Showtime Management’s Tony Feldman said. “We are looking forward to hosting this music giant when he returns next year.”

Over the past decade, Porter has taken the world by storm, bringing jazz to the masses and collecting numerous accolades and acknowledgements. Known for his warm baritone vocals, he rose to acclaim in 2010 with his earthy, cross-pollinated brand of jazz, soul, and gospel. A gifted singer of the standards as well as more contemporary soul material, Porter has earned favourable comparisons to his idols Nat King Cole, Donny Hathaway and Stevie Wonder.

Porter announced his arrival by picking up a Grammy nomination for his 2010 debut album, Water. After signing to Blue Note, he gained even wider notice for his third album Liquid Spirit, which hit number two on the jazz charts, and won the Grammy for Best Jazz Vocal Album. Produced by Brian Bacchus, Liquid Spirit album landed at number two on the Billboard Top Jazz Albums chart. It also became the one of the most streamed jazz albums of all time, with over 20 million streams. Some of Porter’s albums include Take Me to the Alley, Live in Berlin, Nat King Cole & Me, One Night Only – Live At The Royal Albert Hall, All Rise and Still Rising, a double album which features 34 brand new songs, covers duets and a handpicked selection of his much-loved tracks.

Of the collection, Porter said: “This is my music up until now, but it’s not a ‘Greatest Hits’. They often come at the end of someone’s career, and I still feel new and young in mine. I have much more to say.

“There is always something in an artist’s career that people don’t know about; I wanted to bring it to their attention. The album title echoes my last one, All Rise, because I am reiterating something evident in my music and the new songs here – this upward-looking optimism about life and love. It’s an unfinished story for me, both musically and personally. And I’m still learning how to do this. Still rising.”

Early in 2021, Porter was invited by Grammy-nominated singer and songwriter Somi to feature on a song ‘Love Tastes like Strawberries’ off her fifth studio album Zenzile: The Reimagination of Miriam Makeba, a tribute to Makeba and Harry Belafonte’s 1965 album An Evening with Belafonte/Makeba.

Tickets to the Cape Town and Johannesburg shows are available here and here, respectively.

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