NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghanaian rapper Kirani Ayat takes on govt for copyright infringement

29 Sep 2022 - 11:21

cc-img flag-img

Ghanaian rapper Kirani Ayat has called out the government for infringing on his intellectual property after President Nana Akufo Addo’s official Twitter handle shared a tourism promotional video featuring his work.

Kirani Ayat.

In a series of tweets on Tuesday, Kirani Ayat accused the president of using scenes from his music video ‘Guda’ without his permission, noting that around the time of the video’s release, he had been actively reaching out to the Ministry of Tourism to use the same video to push tourism in the north and got no reply.

“Whoever worked on this video should’ve reached out to the rightful content owners first,” he added. “I spent my resources making ‘Guda’ possible, I’m sure you were paid for this job, where is my cut?”

The David Nicol-Sey-directed video published in October 2018, features immersive landscapes and culture of northern Ghana. It was awarded the Overall Best Video Award at the 2019 4syte Music Video Awards.

Responding to the allegation in a press release on Wednesday, the Ghana Tourism Authority denied government wrongdoing, insisting that the footage was procured legally from a creative agency named SAMSAL Company Ltd in 2019 as part of a project.

“According to Clause 2 (b) of the MoU signed with the Agency (Obligations: Responsibility of the Agency), the agency was to “deliver imaginative and impactful social strategies, such as content or documentaries for the use of GTA as it so wishes. The agency delivered the content to the authority, and the authority used the content in accordance with the terms of the MoU,” the statement reads.

“The above notwithstanding, since the authority became aware of the tweet from @KiraniAYAT, we have reached out to the agency to deal with the matter. This is without prejudice to any legal options available to the Authority against the Artiste and/or Agency or vice versa.”

Shortly after, Kirani Ayat issued a rebuttal, tweeting that he had not given rights to any agency or government organisation to use his intellectual property.

Meanwhile, SAMSAL, the agency at the centre of the controversy, has denied granting the GTA permission to share the video clip, accusing the authority of failing to deliver on its financial obligation as agreed upon under the MoU and instead repurposing content and circulating it.

The dispute has since generated a public uproar, particularly among creatives. Fellow musicians, notably rapper Sarkodie, have backed Kirani Ayat.

“We [creatives] do a lot to put our country out there, attracting a lot of tourists and investors that translates to money to help nation building, yet that’s one sector with no support,” Sarkodie tweeted. “I feel my brother and support him especially if he actually reached out and didn’t get help.”

Born Ayat Maqwam Salis, Kirani Ayat is the second Ghanaian musician this month to take on an organisation for infringement of IP rights. Last week, it emerged that producer Kwabena ‘Spiky Beats’ Ofei-Kwadey Nkrumah is suing the Confederation of African Football (CAF) for using a soundtrack he produced without permission three years ago.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media