NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Jazz guitar competition in Poland

23 Sep 2021 - 08:28

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Applications are ongoing for the 2021 Jarek Smietana Jazz Guitar Competition, which is scheduled for Krakow, Poland, from 18 to 20 November.

The application deadline is 15 October.

The competition is organised by the My Polish Heart Foundation, and is open to guitarists of all nationalities, up to 35 years old, performing jazz and music genres related to improvised music.

All types of guitars, including acoustic and electric instruments, are accepted. The competition will reward the winners with up to 30 000 Polish zloty ($7 600).

The submission deadline is 15 October.

How to apply

  • Applications for the competition are accepted by the organiser based on a carefully completed application form.
  • Competitors should also enclose:
    • A brief biography of the candidate in English (max 1500 characters)
    • Two images of the candidate (of good quality and at least 1MB in size)
    • Recordings of three songs, including two audio files in MP3 format and one video file in MOV, AVI, MP4, WMV format (none of the files can exceed 10MB). The video can also be sent in the form of a link to YouTube or Vimeo. Each of the submitted works should not exceed 10 minutes.
    • Confirmation of bank transfer for application to the contest.
  • All of the competition’s stages, including semi-final, final auditions and the Gala Concert, will be held at Krakow’s Philharmonic concert hall. The jury includes Wolfgang Muthspiel, Marek Napiórkowski, Prof Karol Ferfecki and Witold Wnuk.
  • The 12 participants who will compete in the semi-finals in Krakow (18 and 19 November) will be announced on 31 October.

Repertoire requirements

  • The organiser does not set any repertoire requirements at the stage of online application.
  • Candidates who qualify for the semi-finals are obliged to present the following programme:
    • Any composition of Jarek Smietana selected by the candidate;
    • Two freely selected tracks, including compositions of the candidate.
  • Candidates qualified for the finals are obliged to present the following programme:
    • Any composition of Jarek Smietana selected by the candidate (other than presented during semi-final auditions).
    • Two freely selected tracks – possible compositions of the candidate.
  • The organiser allows solo performances. The participants are required to perform all other compositions with the same rhythm section provided by the organiser (bass guitar/double bass and drums). The organiser does not allow performance with recorded instrumental backing (playback, half-playback, sampling, etc.).
  • The duration of the audition during the semi-finals and finals for each candidate is 30 minutes max.
  • The organiser permits a performance of one solo composition during the semi-finals and one solo composition during the finals.

Note: The songs selected by the candidates to be performed in the semi-finals and finals cannot be repeated.

Awards

  • First place – 15 000 Polish zloty.
  • Second place – 7 000 Polish zloty.
  • Third place – 5 000 Polish zloty.

The finals are scheduled for the early afternoon hours of 20 November and in the evening a Gala Concert will take place, featuring the three prize winners as well as established musicians Wolfgang Muthspiel, Marek Napiorkowski and special guest Stanislaw Soyka, among others.

View the original call here.

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