NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: COVID-19 funding for artists and activists

14 Apr 2020 - 11:46

cc-img flag-img

University of York’s Centre for Applied Human Rights (CAHR), through a grant from Open Society Foundations, is calling on artists and activists around the world to apply for COVID-19 funding of up to £3 000 ($3 750).

The call is intended for artists and activists around the world. In the photo: Zimbabwean artist Vusa Mkhaya. Photo: Facebook

The funding is intended to support artists and activists in responding to the COVID-19 outbreak and its implications for human rights defenders.

Objectives

The CAHR recognises that collaborative endeavours between activists and artists have the potential to provide innovative responses to the current COVID-19 emergency, whether in a reactive, therapeutic or imaginative form.

The centre seeks applications from artists and activists to address one or more of the following three objectives:

  • Document, monitor and analyse events in real time.
  • Reflect on well-being, both your own and that of your communities/organisations.
  • Go beyond a reactive response to imagine new, alternative futures. This future oriented work could assess how crises and disruption open up new possibilities for creativity and innovation, as well as for regressive and repressive measures, and/or build on positive responses to the virus itself (local and global forms of solidarity).

Expected outputs

Activists could write a diary, make a weekly podcast, write a blog, etc. Artists could work in their chosen media to respond to the activist's contribution and/or to wider developments in their country/region. The CAHR is open to innovative suggestions on the nature of the collaboration between activists and artists.

Project proposals

Activists and artists should apply by presenting a single collaborative project proposal that does not exceed two pages in length and includes the following:

  • A brief profile/bio of the artist(s) and activist(s) involved.
  • A brief description of the project/programme of work, highlighting in particular how it responds to the COVID-19 emergency and its links to activism and civic/political space; which of the three objectives set out above it responds to; any safety, security and ethical concerns, and how these will be addressed; whether it builds on existing initiatives or is a new collaboration, and through which media/methodologies it will be carried out.
  • The main beneficiaries and audiences of the project/programme of work and why the methodology/medium is appropriate for the local context.
  • Details of additional sources of funding or contributions.
  • The envisioned output(s) of the project/programme of work, for both the activist(s) and artist(s).
  • The amount of funding you are applying for, and a brief justification for the specific amount requested in the form of a basic budget and justification of resources (subsistence/salary costs can be included). It is envisaged that most grants will be for between £1 000 and £2 000. Additional justification will be required for larger awards, up to £3 000, for example, that the application involves groups of activists and/or artists.
  • One appendix featuring examples of artistic work can be included in the application. The appendix can be additional to the two-page application.

While applications need to be in English, activist and artist outputs that are in part or completely in local languages are welcome.

Criteria for assessment

  • Clear description of the link between COVID-19, and responses to the virus, on the one hand, and threats to activism and civic/political space on the other, affecting either the artists/activists making the application and/or their country.
  • Evidence of a strong working relationship between the artist(s) and activist(s).
  • Feasibility and relevance of the project in challenging and difficult circumstances (including consideration of safety, security and ethics).
  • Evidence of innovation and creativity.

Deliverables

Artists and activists are expected to provide a timeline for outputs in their application, between now and 31 December 2020. Artists and activists are also expected to submit a short joint report (two pages) detailing the activities undertaken as well as all expenses incurred, by 31 January 2021.

All inquiries and submissions should be directed to Piergiuseppe Parisi at [email protected] and Pippa Cooper at [email protected].

Timeline

There is no fixed deadline for proposals – applications will be considered on a rolling basis over the coming months. The CAHR will endeavour to get back to applicants within two weeks. Successful proposals will be selected by a panel that will include CAHR staff and associates from a variety of backgrounds.

Copyright

Copyright for the outputs remains the sole and exclusive property of the artist and the activist. Terms of reference/contracts will provide the CAHR with the limited right to reproduce, publicly display, distribute and otherwise use the expected outputs in relation to the CAHR’s work, and as an example of work commissioned through the Open Society Foundations’ grant. Copyright will be addressed in terms of reference/contracts developed with successful applicants.

Confidentiality and ethics

The CAHR will discuss anonymity, confidentiality and other ethical issues with artists and activists as they arise in relation to specific projects.

Read the full call [attached as PDF] below

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media