NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Cabaret and Beyond Festival mentorship programme in SA

03 Aug 2022 - 09:23

cc-img flag-img

The Centre for Creative Arts (CCA) and the University of KwaZulu-Natal, in partnership with Mandela Bay Theatre Complex, is inviting composers and musical theatre creatives to apply for a three-month writing collective and mentorship programme ahead of the Cabaret and Beyond Festival (CAB Festival) in 2023.

Successful applicants will participate in a three-month writing collective that runs online and will be facilitated by project manager Roland Perold (pictured).

After the three month programme, CCA will select some of the works for the CAB Festival showcase. Applicants must provide reference materials demonstrating their ability to write or compose for musical theatre, meaning they understand songwriting within a dramatic framework.

Interested applicants should apply here before 14 August and participants will be announced on 22 August. Any specific questions should be emailed to CAB Festival project manager Roland Perold via rperold@gmail.com.

Successful applicants will:

  • Attend bi-monthly Zoom sessions from 4 September to 11 December on Sunday mornings at 10am and be prepared to share their songs in development during these sessions.
  • Receive peer feedback as well as professional insights from the panel during the Zoom sessions.
  • Participate in a three-month writing collective that runs online and is facilitated by Perold.
  • Write two songs, one of which must be an up-tempo number from a piece of musical theatre they wish to develop or are developing. This can be the beginning of a book musical or a collection of works linked to a strong theme or central idea.

Participants selected for the CAB Festival will receive a stipend of R3 500 for writing two songs that the CCA has the option of staging during the 2023 CAB Festival Showcase. Composers may write for up to a maximum of four voices. The showcase will be performed by two men, two women and a live pianist. An independent panel will adjudicate the songs presented at the showcase, and a 2023 winner will be announced.

During the previous programme, two composers were chosen to receive grants for further development with dramaturgical support from Janice Honeyman. Their subsequent chamber musicals received a professional staging in Durban and Gqebera in March 2022, an opportunity never before afforded local emerging musical theatre writers.

This year, specialised guidance will be provided by Johannesburg-based director Lesedi Job and Cape Town-based producer and composer Jaco Griessel. During the online mentoring sessions, Job will provide dramaturgical insights as the participants share their works in development. Job is a respected theatre maker with a keen interest in musical theatre and winner of the Naledi Theatre Award for her direction of When Swallows Cry. Griessel was a Mandela-Rhodes scholar for composition and is actively involved in promoting chamber musicals in South Africa. Griessel devised and implemented a tertiary-level musical theatre writing course for LAMTA Academy in Camps Bay, the first of its kind in South Africa.

“Positive audience reaction and excellent attendance bode well for the future of new writing in the genre,” Perold said. “There’s real momentum with this project which sparked rumblings across the country with its high-quality intimate productions. Audiences have taken notice.”

CCA director Ismail Mahomed described the CAB Festival as a support mechanism for creatives who need room to test their skills and grow together. “The arts need support and guidance, but ultimately we also want to create avenues that help writers and composers to work in a self-sustaining way and add to the theatrical landscape by telling their own stories.”

View the original call here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media