NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

BET Awards 2025: All the nominees

09 May 2025 - 11:34

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The 2025 BET Awards nominations have been announced, with African artists earning recognition across top categories, marking another milestone in the continent’s growing global influence in music.

Ayra Starr. Photo: Derrick Kakembo and Harrison Phillips

The awards ceremony will be held at the Peacock Theatre in Los Angeles on 9 June.

Nigerian artist Ayra Starr made a significant impact by securing nominations in two of the show’s most prestigious categories. She joins the ranks of SZA, Summer Walker, and Victoria Monét in the Best Female R&B/Pop Artist category, a highly competitive field dominated by US heavyweights. Starr’s nomination highlights her meteoric rise and growing international acclaim following the success of her recent releases.

In the Best International Act category, African talent is front and centre. Nigeria’s Ayra Starr and Rema, Ghana’s Black Sherif, South Africa’s Tyla, and eSwatini’s Uncle Waffles are among the ten nominees. They compete alongside Brazil’s Any Gabrielly and Mc Luanna, France’s Joé Dwèt Filé and Sdm, and the UK’s Bashy and Ezra Collective. This diverse line-up underscores the global reach of African music, with multiple regions now looking to the continent for new sounds and voices.

The Best New International Act category also features a strong African presence. South Africa’s Maglera Doe Boy, TxC, and Dlala Thukzin, Nigeria’s Shallipopi, and Tanzania’s Abigail Chams are competing with rising stars from Brazil, France, and the UK. These nominations not only signal the international momentum African acts are building, but also the BET Awards’ commitment to showcasing talent beyond traditional markets.

In a surprising development, Nigerian Grammy-winner Burna Boy secured a nomination in the Best Male Hip Hop Artist category, typically dominated by American rappers. He faces off against the likes of Drake, Kendrick Lamar, Tyler, the Creator, and Future, marking a rare moment of direct competition between African and American artists in a core BET Awards category.

The 2025 BET Awards, set to take place later this year, are shaping up to be a celebration of global Black excellence, with African artists not only represented but actively competing at the highest levels of international music.

Below is the full list of nominees:

R&B/Pop Artist

  • ⁠Ayra Starr
  • ⁠Ari Lennox
  • ⁠Coco Jones
  • ⁠Kehlani
  • Muni Long
  • Summer Walker
  • SZA
  • Victoria Monét

Best International Act

  • Any Gabrielly (Brazil)
  • ⁠Ayra Starr (Nigeria)
  • ⁠Bashy (United Kingdom)
  • ⁠Black Sherif (Ghana)
  • ⁠Ezra Collective (United Kingdom)
  • Joé Dwèt Filé (France)
  • ⁠Mc Luanna (Brazil)
  • ⁠Rema (Nigeria)
  • ⁠Sdm (France)
  • ⁠Tyla (South Africa)
  • Uncle Waffles (Swaziland)

Best New International Act

  • ⁠Abigail Chams (Tanzania)
  • ⁠Ajuliacosta (Brazil)
  • ⁠Amabbi (Brazil)
  • ⁠Dlala Thukzin (South Africa)
  • ⁠Dr Yaro (France)
  • ⁠kwn (United Kingdom)
  • ⁠Maglera Doe Boy (South Africa)
  • Merveille (France)
  • Odeal (United Kingdom)
  • ⁠Shallipopi (Nigeria)
  • ⁠TxC (South Africa)

Best Male Hip Hop Artist

  • Burna Boy
  • ⁠BigXthaPlug
  • ⁠Bossman Dlow
  • Drake
  • ⁠Future
  • ⁠Kendrick Lamar
  • ⁠Key Glock
  • ⁠Lil Wayne
  • Tyler, the Creator

Album of the Year

  • $Ome $Exy $Ongs 4 U – Drake & PartyNextDoor
  • 11:11 Deluxe – Chris Brown
  • Alligator Bites Never Heal – Doechii
  • Cowboy Carter – Beyoncé
  • Glorious – GloRilla
  • GNX – Kendrick Lamar
  • Hurry Up Tomorrow – The Weeknd
  • We Don’t Trust You – Future & Metro Boomin

Best Male R&B/Pop Artist

  • Bruno Mars
  • Chris Brown
  • Drake
  • Fridayy
  • Leon Thomas
  • Teddy Swims
  • The Weeknd
  • Usher

Best Group

  • 41
  • Common & Pete Rock
  • Drake & PartyNextDoor
  • FLO
  • Future & Metro Boomin
  • Jacquees & Dej Loaf
  • Larry June, 2 Chainz, The Alchemist
  • Maverick City Music

Best Collaboration

  • ‘30 For 30’ – SZA ft. Kendrick Lamar
  • ‘Alter Ego’ – Doechii ft. JT
  • ‘Are You Even Real’ – Teddy Swims ft. Givēon
  • ‘Beckham’ – Dee Billz feat. Kyle Richh, Kai Swervo, Kj Swervo
  • ‘Bless’ – Lil Wayne, Wheezy & Young Thug
  • ‘Like That’ – Future & Metro Boomin & Kendrick Lamar
  • ‘Luther’ – Kendrick Lamar & SZA
  • ‘Sticky’ – Tyler, the Creator ft. GloRilla, Sexyy Red & Lil Wayne
  • ‘Timeless’ – The Weeknd ft. Playboi Carti

Best Female Hip Hop Artist

  • Cardi B
  • Doechii
  • Doja Cat
  • GloRilla
  • Latto
  • Megan Thee Stallion
  • Nicki Minaj
  • Rapsody
  • Sexyy Red

Video of the Year

  • ‘3AM in ToKEYo’ – Key Glock
  • ‘A Bar Song (Tipsy)’ – Shaboozey
  • ‘After Hours’ – Kehlani
  • ‘Denial Is A River’ – Doechii
  • ‘Family Matters’ – Drake
  • ‘Not Like Us’ – Kendrick Lamar
  • ‘Timeless’ – The Weeknd ft. Playboi Carti
  • ‘Type Shit’ – Future, Metro Boomin, Travis Scott & Playboi Carti

Video Director of the Year

  • Anderson .Paak
  • B Pace Productions & Jacquees
  • Benny Boom
  • Cactus Jack
  • Cole Bennett
  • Dave Free & Kendrick Lamar
  • Dave Meyers
  • Foggieraw
  • Tyler, the Creator

Best New Artist

  • 41
  • Ayra Starr
  • BigXthaPlug
  • Bossman Dlow
  • Dee Billz
  • Leon Thomas
  • October London
  • Shaboozey
  • Teddy Swims

Dr. Bobby Jones Best Gospel/Inspirational Award

  • ‘A God (There Is)’ – Common & Pete Rock ft. Jennifer Hudson
  • ‘Amen’ – Pastor Mike Jr.
  • ‘Better Days’ – Fridayy
  • ‘Church Doors (Terry Hunter Remix)’ – Yolanda Adams feat. Sir The Baptist & Donald Lawrence
  • ‘Constant’ – Maverick City Music, Jordin Sparks, Chandler Moore & Anthony Gargiula
  • ‘Deserve To Win’ – Tamela Mann
  • ‘Faith’ – Rapsody
  • ‘Rain Down on Me’ – GloRilla ft. Kirk Franklin, Maverick City Music

Viewer’s Choice Award

  • ‘Residuals’ – Chris Brown
  • ‘Denial Is A River’ – Doechii
  • ‘Nokia’ – Drake
  • ‘Like That’ – Future & Metro Boomin ft. Kendrick Lamar
  • ‘TGIF’ – GloRilla
  • ‘Not Like Us’ – Kendrick Lamar
  • ‘Luther’ – Kendrick Lamar & SZA
  • ‘Brokey’ – Latto

BET Her

  • ‘Beautiful People’ – Mary J. Blige
  • ‘Blackbiird’ – Beyoncé ft. Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts
  • ‘Bloom’ – Doechii
  • ‘Burning’ – Tems
  • ‘Defying Gravity’ – Cynthia Erivo feat. Ariana Grande
  • ‘Heart of a Woman’ – Summer Walker
  • ‘Hold On’ – Tems
  • ‘In My Bag’ – FLO & GloRilla

Best Movie

  • Bad Boys: Ride Or Die
  • Beverly Hills Cop: Axel F
  • Luther: Never Too Much
  • Mufasa: The Lion King
  • One Of Them Days
  • Rebel Ridge
  • The Piano Lesson
  • The Six Triple Eight

Best Actor

  • Aaron Pierre
  • Aldis Hodge
  • Anthony Mackie
  • Colman Domingo
  • Denzel Washington
  • Jamie Foxx
  • Joey Bada$$
  • Kevin Hart
  • Sterling K. Brown
  • Will Smith

Best Actress

  • Andra Day
  • Angela Bassett
  • Coco Jones
  • Cynthia Erivo
  • Keke Palmer
  • Kerry Washington
  • Quinta Brunson
  • Viola Davis
  • Zendaya

YoungStars Award

  • Akira Akbar
  • Blue Ivy Carter
  • Graceyn ‘Gracie’ Hollingsworth
  • Heiress Harris
  • Melody Hurd
  • Thaddeus J. Mixson
  • Tyrik Johnson
  • Vanvan

Sportswoman of the Year Award

  • A’ja Wilson
  • Angel Reese
  • Claressa Shields
  • Coco Gauff
  • Dawn Staley
  • Flau’jae Johnson
  • Juju Watkins
  • Sha’Carri Richardson
  • Simone Biles

Sportsman of the Year Award

  • Aaron Judge
  • Anthony Edwards
  • Deion Sanders
  • Jalen Hurts
  • Jayson Tatum
  • LeBron James
  • Saquon Barkley
  • Stephen Curry

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