NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African acts triumph at BET Awards 2024

01 Jul 2024 - 07:53

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The winners of this year's BET Awards were announced from the Peacock Theater in Los Angeles, California, on 30 June, with African artists Tyla, Tems and Makhadzi securing trophies. 

South African popstar Tyla won two trophies at the 2024 BET Awards.

Established in 2001, the awards celebrate black talent in music, film, sports and philanthropy. This year’s nominees were picked by the BET Voting Academy, which includes industry experts from music, media, sports journalism and the creative arts.

Behind the global hit ‘Water’, South Africa’s Tyla took home two trophies: Best New Artist and Best International Act, while fellow South African act Makhadzi won the award for Viewer’s Choice: Best New International Act.

Nigeria’s Tems scored the Dr Bobby Jones Best Gospel/Inspirational Award for her single ‘Me & U’. Meanwhile, the US rapper Killer Mike won the Best Album category for his album Michael, while R&B vet Usher received the Lifetime Achievement Award.

Below is the full list of winners:

Best international Act

  • Asake (Nigeria)
  • Tyla (South Africa)
  • Ayra Starr (Nigeria)
  • Focalistic (South Africa)
  • Aya Nakamura (France)
  • BK' (Brazil)
  • Cleo Sol (UK)
  • Karol Conká (Brazil)
  • Raye (UK)
  • Tiakola (France)

Viewer’s Choice: Best New International Act

  • Tyler ICU (South Africa)
  • Seyi Vibez (Nigeria)
  • Bellah (UK)
  • Cristale (UK)
  • Duquesa (Brazil)
  • Holly G (France)
  • Jungeli (France)
  • Makhadzi (South Africa)
  • Oruam (Brazil)

BET HER

  • ‘Commas’ by Ayra Starr
  • 16 Carriages’ by Beyoncé
  • ‘Blessings’ by Nicki Minaj ft. Tasha Cobbs Leonard
  • ‘Fly Girl’ by Flo ft. Missy Elliott
  • ‘Hiss’ by Megan Thee Stallion
  • ‘On My Mama’ by Victoria Monét
  • ‘Saturn’ by Sza
  • ‘Yeah Glo!’ by GloRilla

Best Female R&B/Pop Artist

  • Tyla
  • Beyoncé
  • Coco Jones
  • Doja Cat
  • H.E.R.
  • Muni Long
  • Sza
  • Victoria Monét

Best Male R&B/ Pop Artist

  • Burna Boy
  • Brent Faiyaz
  • Bryson Tiller
  • Chris Brown
  • Drake
  • Fridayy
  • October London
  • Usher

Best Male Hip Hop Artist

  • Burna Boy
  • 21 Savage
  • Drake
  • Future
  • Gunna
  • J. Cole
  • Kendrick Lamar
  • Lil Wayne

Best Group

  • ¥$, Ye, Ty Dolla $Ign
  • 2 Chainz & Lil Wayne
  • 41
  • Blxst & Bino Rideaux
  • City Girls
  • Flo
  • Maverick City Music
  • Wanmor

Best Collaboration

  • ‘All My Life’ by Lil Durk ft. J. Cole
  • ‘America Has A Problem (Remix)’ by Beyoncé ft. Kendrick Lamar
  • ‘Barbie World’ by Nicki Minaj & Ice Spice (With Aqua)
  • ‘Bongos’ by Cardi B ft. Megan Thee Stallion
  • ‘Carnival’ by ¥$, Ye, Ty Dolla $Ign ft. Rich The Kid, Playboi Carti
  • ‘Don’t Play With It (Remix)’ by Lola Brooke ft. Latto & Yung Miami
  • ‘Everybody’ by Nicki Minaj ft. Lil Uzi Vert
  • ‘Good Good’ by Usher, Summer Walker & 21 Savage
  • ‘Rich Baby Daddy’ by Drake ft. Sexyy Red & Sza

Best Female Hip Hop Artist

  • Cardi B
  • Doja Cat
  • GloRilla
  • Ice Spice
  • Latto
  • Megan Thee Stallion
  • Nicki Minaj
  • Sexyy Red

Video of the Year

  • Agora Hills’ by Doja Cat
  • ‘All My Life’ by Lil Durk ft. J. Cole
  • ‘Barbie World’ by Nicki Minaj & Ice Spice (With Aqua)
  • ‘Bongos’ by Cardi B ft. Megan Thee Stallion
  • ‘First Person Shooter’ by Drake ft. J. Cole
  • ‘Good Good’ by Usher, Summer Walker & 21 Savage
  • ‘On My Mama’ by Victoria Monét
  • ‘Rich Baby Daddy’ by Drake ft. Sexyy Red & Sza

Video Director of the Year

  • Benny Boom
  • Child.
  • Cole Bennett
  • Dave Meyers
  • Janelle Monáe & Alan Ferguson
  • Offset
  • Tems
  • Tyler, The Creator

Best New Artist

  • 41
  • 4batz
  • Ayra Starr
  • Bossman Dlow
  • Fridayy
  • October London
  • Sexyy Red
  • Tyla

Dr Bobby Jones Best Gospel/Inspirational Award

  • All of the Glory’ by Shirley Caesar
  • ‘All Things’ by Kirk Franklin
  • ‘Angel’ by Halle Bailey
  • ‘Come Jesus Come’ by Cece Winans
  • ‘Do You Believe In Love?’ by Erica Campbell
  • ‘God Problems’ by Maverick City Music, Naomi Raine & Chandler Moore
  • ‘Me & U’ by Tems
  • ‘Try Love’ by Kirk Franklin

Viewer’s Choice Award

  • Agora Hills’ by Doja Cat
  • ‘All My Life’ by Lil Durk ft. J. Cole
  • ‘Gunna’ by Fukumean
  • ‘Lovin On Me’ by Jack Harlow
  • ‘Made For Me’ by Muni Long
  • ‘On My Mama’ by Victoria Monét
  • ‘Rich Baby Daddy’ by Drake ft. Sexyy Red & Sza
  • ‘Sensational’ by Chris Brown ft. Davido & Lojay
  • ‘Texas Hold ’Em’ by Beyoncé
  • ‘Water’ by Tyla

Best Movie

  • American Fiction
  • Bob Marley: One Love
  • Renaissance: A Film By Beyoncé
  • Spider-Man: Across The Spider-Verse
  • The Book Of Clarence
  • The Color Purple
  • The Equalizer 3
  • The Little Mermaid

Best Actor

  • Anthony Mackie
  • Colman Domingo
  • Damson Idris
  • Denzel Washington
  • Donald Glover
  • Idris Elba
  • Jeffrey Wright
  • Lakeith Stanfield

Best Actress

  • Angela Bassett
  • Ayo Edebiri
  • Coco Jones
  • Danielle Brooks
  • Fantasia
  • Halle Bailey
  • Issa Rae
  • Regina King

Younngstars Award

  • Akira Akbar
  • Blue Ivy Carter
  • Demi Singleton
  • Heiress Diana Harris
  • Jabria Mccullum
  • Jalyn Hall
  • Leah Jeffries
  • Van Van

Sportswoman of the Year

  • A’ja Wilson
  • Angel Reese
  • Coco Gauff
  • Flau’jae Johnson
  • Juju Watkins
  • Naomi Osaka
  • Sha’carri Richardson
  • Simone Biles

Sportswoman of the Year

  • Anthony Edwards
  • Gervonta Davis
  • Jalen Brunson
  • Jalen Hurts
  • Kyrie Irving
  • Lebron James
  • Patrick Mahomes
  • Stephen Curry

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