NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Ademola Olaoye

Ademola Olaoye

Production & Technical
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Lagos, Nigeria

En service depuis :

2008

Personne de contact:

Ademola Olaoye

BIO

Ademola Olaoye is a events manager from Nigeria.
‘Building a beautiful landscape where events in Nigeria can thrive and ensuring that entertainment in Africa can reach insurmountable heights has been the dream growing up, as a young man you dream of effecting change especially with those things you have passion for, then the time comes when you realise you have to do more. Hence my schooling and involvement in the industry that is entertainment and events management’.
For Olaoye Ademola, working in this industry is not merely a job, but a mission, and it’s that kind of drive that makes him efficient, motivated, enigmatic, and result- oriented in this area. The industry has very much benefited, if not been blessed, by Ademola’s contributions, which has spanned over seven years of working experience, and seen him adapt his knowledge, skill and talents.
Yet would not say his dream has been fulfilled, there are still miles to go on this journey, but there has been a very steady build towards realising the dream. Ademola has been planning and delivering a wide range of events within varied business sectors, working with clients from the private and public sectors, local and multinational organisations.
Ademola bagged a Diploma at Florin Tech College, and received management training at Piston & Fusion, as well as a short course in music business at the SAE Institute in Cape Town, South Africa. He began his career as production manager at Grey Tiger Entertainment Ltd in 2009, before spells at 1908 Connect Production, Redrick Integrated, Ecleftic Entertainment, H20 Production, as well as African Event. Ademola recently started his own company, called Kontentt Live, with a team of like-minded professionals.
In his time so far in this industry, Ademola has given to her, and the projects he has carried out, something that has been missing over the years. Like every great story, he has had the pleasure of working in great institutions where he has built a reputation as a calm, pro-active and unfailing team player, with very sound communication skills; nothing seems unachievable now in the industry.
With many international and local qualifications in Project Management and Planning, he has been involved in some of the biggest and brightest events in Nigeria over the years, not only has he become one of the most prolific project managers of our time, he as well has an excellent customer satisfaction index with every event or project he has been involved with.
Some of the executed projects Ademola has been involved in over the years include the Harp Rhythm Unplugged concert in December 2013, with featured Wyclef Jean. He also had his fingerprints all over the Glo CAF Awards in 2013, as he did the World Economic Forum a year later, the latter of which was no mean feat due to security concerns at that time.
I spent the end of 2019 playing a major role in the production three of the biggest musical concerts in Nigeria, working as the production director for Wizkid’s StarboyFest, Naira Marley’s MarlianFest, and Davido’s A Good Time With Davido.

Here is a list of some of his executed projects:
● Harp Rhythm Unplugged 2013 Ft Wyclef
● Jean 2013 Mariah Carey Concert by Access Bank 2013
● World Economic Forum in Abuja 2014
● Nigeria Centenary Forum and Gala Night at Aso Rock Abuja 2014
● Love Like A Movie Season 2 featuring Kelly Rowland 2014
● IBM Smarter Planet Leadership Forum in Lagos 2014
● Glo CAF Awards (African Footballer of the Year) 2013
● Mnet African Magic Viewer’s Choice Awards 2014
● PDP Transformation Ambassador Of Nigeria 2014
● Nigerian Breweries Amstel Malta The Rush 2014
● Maltina Dance Hall Family Show 2014
● Nigerian Breweries Heineken Club 1 & 2 2014
● President Goodluck Declaration Abuja 2014
● African International Film Festival Calabar 2014
● Etisalat iPhone 6 Lunch 2014
● Copa Lagos Beach Soccer 2014
● Oando End of the Year Party 2014
● Glo CAF Awards (African Footballer of the Year) 2014
● PDP Campaign / Rally 2015 Lagos, Ibadan, Zamfara, 2015
● APC Campaign / Rally Ibadan 2015
● Mnet African Magic Viewers Choice Awards 2015
● Samsung S6 Lunch 2015
● I Love Nigeria TV Show 2015
● Lagos Carnival 2014 / 2015
● President Buhari Inauguration @ Eagle Square Abuja 2015
● Union Bank Rebrand 2015
● African International Film Festival Lagos 2015
● SA Brewery Miller Beer Lunch 2015
● Guinness Special One Lunch Lagos, Abuja, Port Harcourt, Benin and Ibadan 2016
● Love Like A Movie Season 2 featuring Ciara 2016
● 2009, 2010 & 2011 Nigerian Music Video Awards
● Classic Dj’s 2010, 2011,2012 & 2013
● 2010 AY Live as the event Director
● 2010 WizKid Album Lunch Concert as the creative manager
● 2010 Hiphop Awards as script writer and stage manager
● 2011 Harp Rhythm on plugged Comedy as stage manager
● 2011 Top Ten Mic as stage manager
● Teju Babyface Show Season 2 and 3 as production manager
● 2011 Access Bank End of the Year Award
● 2013 Butterscotch Evening Creative manager and Stage manager
● 2018 Castle Lite Concert with J Cole Wizkid and Davido Project Manager
● 2018 Burna Boy Live Technical Consultant
● 2019: MarlianFest – Production Manager
● 2019: Starboy Fest – Production Manager
● 2019: A Good Time With Davido – Production Manager

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