NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Top amapiano songs of 2021

Accueil/Non classé/Top amapiano songs of 2021

The constant supply and growing appetite of listeners has snowballed the sound into the biggest music genre in South Africa in terms of consumption. This year’s amapiano scene can easily be described as the year of collaboration with its overwhelming number of assisted hits from current hitmaking producers like JazziQ, De Mthuda and DBN Gogo whose catalogues are dominating the local airwaves. 

Meanwhile, amapiano heavyweights DJ Maphorisa and Kabza De Small have contributed to a number of chart-toppers this year working with DJ Stokie, Sir Trill and Josiah De Disciple, among others. The township musical mood has also caught the eyes of prominent musicians outside of South Africa such as Davido and Rema, as well as US superstars like Drake who is expected to release his take on amapiano this year.

The following playlist features the best amapiano tunes of 2021 thus far, and will be constantly updated to reflect the current hits in high rotation.

Abalele by Kabza De Small & DJ Maphorisa ft. Ami Faku

‘Abalele’ has fast-become an anthemic hit among the amapiano community in South Africa. Hitmaking duo Scorpion Kings feature the soothing vocals of Ami Faku on the groovy, mid-paced track. The single has rapidly ascended to the top of local Apple Music City charts as well as other platfoms.

[video:https://www.youtube.com/watch?v=An0PHocDud0 width:744 height:446 autoplay:0]

Siyathandana by Cassper Nyovest ft. Boohle and Abidoza

The genre-crossing rapper Cassper Nyovest is adamant about producing amapiano hits with ‘Siyathandana’ taken off his follow-up amapiano album Sweet & Short 2.0. His knack for reworking old classics tunes, in this case, Bob Sinclair’s ‘World Hold On’, coupled with the vocals of fast-rising singer Boohle have given the lead single a long-running streak on top of local music charts.

[video:https://www.youtube.com/watch?v=89Y_5hnOV_c width:744 height:446 autoplay:0]

Gupta by Focalistic and Mr JazziQ ft. Lady Du, Mellow & Sleazy

Riding their wave of unstoppable success, amapiano heavyweights Focalistic, Mr JazziQ and Lady Du team up to deliver an aspirational song with production duo Mellow & Sleazy also in the works.

[video:https://www.youtube.com/watch?v=IMKi85xkgtw width:744 height:446 autoplay:0]

Banyana by DJ Maphorisa and Tyler ICU ft. Sir Trill, Daliwonga and Kabza De Small

‘Banyana’ sees a joint collaboration between amapiano’s top vocalists Sir Trill and Daliwonga joining forces with genre-bending prolific producers DJ Maphorisa, Tyler ICU and Kabza De Small. Familiar house heads will pick up on the sampling of Charles Webster’s popular club mix of Michel Cleis’ ‘La Mezcla’.

[video:https://www.youtube.com/watch?v=39xp8P40eyY width:744 height:446 autoplay:0]

Iyamemeza by DJ Sumbody ft. The Lowkeys

DJ Sumbody seems to have a winning formula for making smash hits. After his popular runaway singles Ayepyep and Monate Mpolaye off his 2019 Ashi Nthwela album, the radio presenter has made a comeback with ‘Iyamemeza’ featuring Drip Gogo and The Lowkeys, which is dominating local airwaves.

[video:https://www.youtube.com/watch?v=ZdrHOLR1aO8 width:744 height:446 autoplay:0]

Amaneighbour by Killer Kau and Mr JazziQ ft. Reece Madlisa, Thackzin DJ and Zuma

Killer Kau and Mr JazziQ, both early adopters of amapiano, continue at the fore of amapiano with this hit, leading the movement of the people’s music. 

[video:https://www.youtube.com/watch?v=Rl3FXTP–JQ width:744 height:446 autoplay:0]

Possible by DBN Gogo, Musa Keys, Dinho and Lebza The Villain

Fans have been demanding ‘Possible’ since DBN Gogo teased her audience by playing the unreleased song in May. ‘Musa Keys’ on the production spells a great beat and perfect mixing and mastering, while DBN Gogo’s eye for consistently selecting stunning visuals become apparent on the song’s video.

[video:https://www.youtube.com/watch?v=PLYc4J_N5WU width:744 height:446 autoplay:0]

Abahambayo by MFR Souls ft. Mzulu Kakhulu, Khobzn Kiavalla, DJ T-Man SA

Amapiano pioneers MFR Souls produce another hit, idiosyncratic of their clean succinct production style. The underrated song attests to their relevance and staying power on the amapiano scene.

[video:https://www.youtube.com/watch?v=ml3Ej7ZLWS4 width:744 height:446 autoplay:0]

Manuel by Josiah De Disciple and Kabza De Small

Taken from Josiah De Disciple’s latest album Spirit of Makoela Vol 2: The Reintroduction, ‘Manuel‘ sees the two pioneering and extremely talented producers trade vocals. Kabza has been flexing his vocal cords lately and, on the song, he addresses Manuel who, according to the lyrics, owes him. On paper, ‘Manuel’ is a certified smash and fortunately, that energy translates to the audio as well.

[video:https://www.youtube.com/watch?v=63vJwdK6W2A width:744 height:446 autoplay:0]

Woza by JazziQ ft. Kabza De Small, Lady Du and Boohle

JazziQ releases ‘Woza’ from his arsenal of plenty hits after running a voting poll on his social media followers, which was in favour of the song’s release. The contagious dance tune features amapiano forces Kabza De Small, Lady Du and Boohle.

[video:https://www.youtube.com/watch?v=6vgRvsYkMeY width:744 height:446 autoplay:0]

Izolo by DJ Maphorisa & Tyler ICU ft. Mpura, Daliwonga and Visca

Taken off DJ Maphorisa and Tyler ICU’s three-track EP Banyana, the two tap top amapiano vocalists Daliwonga as well as Mpura and Visca for the unhurried song, which sees Tyler ICU reminiscing on his past.

[video:https://www.youtube.com/watch?v=f0PRbO_Afbw width:744 height:466 autoplay:0]

Nkulunkulu by Kamo Mphela

Snazzy costumes, charming theatrics and explosive dance moves have become synonymous with singer and choreographer Kamo Mphela’s brand. Oozing with confidence and charisma, the 21 year old delivers a pithy mix of a rip-roaring beat, exhilarating visuals and her signature steps on the singer’s debut solo hit.

[video:https://youtu.be/Fyhq8GJJPQA width:744 height:446 autoplay:0]

Hamba Nobani by Boohle ft. Busta 929, Reece Madlisa and Zuma

Fast-rising star Boohle delivers a runaway hit assisted by the regular collaborators Busta-929 and Zuma & Reece Madlisa who borrows a few lines from Mzambiya and the late Mshoza’s kwaito classic ‘Kortez’.

[video:https://www.youtube.com/watch?v=s96A1W6J840 width:744 height:446 autoplay:0]

Vula Mlomo by Musa Keys ft. Sir Trill and Nobantu Vilakazi

Musa Keys proves his undeniable production skills with this unanticipated chart-topping single ‘Vula Mlomo’, which he recorded overnight during an impromptu recording session. Featured singers Sir Trill and Nobantu Vilakazi came to the party with poignant chants and seductive vocals.

[video:https://www.youtube.com/watch?v=naiD6DfQKrE width:744 height:446 autoplay:0]

LiyoShona by Kwiish SA ft. Malumnator, Njelic and De Mthuda

Kwiish SA’s new runaway hit ‘LiyoShona’ has signalled a big return to the scene with an unmistakable amapiano hit. He’s been under the radar since he belted out his 2019 hit ‘Iskhathi’, affectionately known as ‘Gong Gong’, which largely contributed to amapiano’s mainstream acceptance.

[video:https://www.youtube.com/watch?v=eNvdkTtLJ7Y width:744 height:446 autoplay:0]

Abekho Ready by De Mthuda ft. Sir Trill and Da Muziqal Chef

De Mthuda’s deft production skills and Sir Trill’s vocals make for an undeniable hitmaking combination. Released in January on De Mthuda and Ntokzin’s reshuffled 2020 collaborative album Ace of Spades, the producers decide to throw on vocals on the new version.

[video:https://www.youtube.com/watch?v=LBgAnnnO6bQ width:744 height:446 autoplay:0]

Umsebenzi Wethu by Busta 929 and Mpura ft. Mr JazziQ, Zuma, Lady Du and Reece Madlisa

Before this smash hit, it was unprecedented for an amapiano song to reach more than 5 million views. The unhurried single is still dominating local airwaves, and it’s one of many hits featuring Busta 929, Mpura, JazziQ and Reece Madlisa.

[video:https://www.youtube.com/watch?v=ehbsxBmCY-c width:744 height:446 autoplay:0]

John Wick by De Mthuda ft. Ntokzin and Sir Trill

The highly talented producer De Mthuda continues to dominate local airwaves with ‘John Wick’ – a rudimental yet intense beat, which is characterised by repetitive thumping bass lines and synth overlaid by his regular collaborators Ntokzin and Sir Trill who laces his unique vocals.

[video:https://www.youtube.com/watch?v=ZNWeHjxXoBA width:744 height:446 autoplay:0]

Gcina Impilo Yam by DJ Cleo ft. Bucy Radebe

Every so often, a non-gospel musician puts out a gospel-fused song that eventually finds its way onto the top of playlists. This year, acclaimed house producer DJ Cleo, alongside Bucy Radebe, are guilty of producing such work. The hit also sees the return of the illustrious DJ, one of the country’s most efficient beatsmiths.

[video:https://www.youtube.com/watch?v=wcLM3brK16o width:744 height:446 autoplay:0]

Khuza Gogo by DBN Gogo and Blaqnick & MasterBlaq ft. Mpura, Ama Avenger and M.J

Riding high off the success of their previous singles ‘French Kiss’ and ‘Whistling Man’, DBN Gogo tapped duo Blaqnick and MasterBlaq for the production on ‘Khuza Gogo’ while Mpura, Ama Avenger and M.J handled the vocals, which saw the runaway hit go multiplatinum in three months.

[video:https://www.youtube.com/watch?v=7WcPcVy3ksY width:744 height:446 autoplay:0]

Dakiwe by DBN Gogo and Lady Du ft. Mr JazziQ, Seekay and Busta 929

DBN Gogo and Lady Du’s solid collaboration sees the former handling the decks while the latter braces her vocal stints. Here the two musos give the listener a devil-may-care, six-minute escape from their immediate surroundings. The hit is also responsible for the hashtag #DakiweChallenge going viral on social media across the country.

[video:https://www.youtube.com/watch?v=nrgL9SQNH7I width:744 height:446 autoplay:0]

Catalia by Junior De Rocka and Lady Du ft. Mr JazziQ, Mellow and Sleazy

Lady Du’s prose and lyrical content have proven to be an important aspect of amapiano hits lately. The singer’s raw and repetitive chants take familiar ears back to the early progenitors that birthed the genre.

[video:https://www.youtube.com/watch?v=Caj8VbUhqyQ width:744 height:446 autoplay:0]

Superman by DJ Stokie ft. Kabza De Small, Masterpiece YVK and Madumane

DJ Stokie comes hard as nails on this single, with a swirling saxophone that repeatedly fades in and out. The song’s title and lyrical content allude to the fact that the musician was the first DJ to popularise the sound in Soweto.

[video:https://www.youtube.com/watch?v=hMFeMHEW6d8 width:744 height:446 autoplay:0]
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