NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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COVID-19 and mental health in the music industry

Accueil/Non classé/COVID-19 and mental health in the music industry

According to the South African Depression and Anxiety Group, about one in three people suffer, or will suffer, from a mental illness at some point in their lifetime. More than 73% of independent music makers experienced symptoms of mental illness, anxiety and depression, according to a 2019 study. These were also the most commonly experienced negative emotions in relation to music creation. With most performers’ income expected to take a knock due to tour cancellations, levels of anxiety and depression may rise. This, in combination with social distancing and being isolated at home during quarantine periods could lead to heightened stress levels for musicians and all those who ply their trade in public.

Through the use of various credible sources, we look at the mental health issues that could arise from the effects of the global pandemic, as well as some of the methods music professionals can employ to deal with them.

Financial stress increases mental health issues

Studies have shown that people who are in debt have higher rates of mental health issues, particularly depression and anxiety. Expert and development strategist for social justice organisation Masikhule Innovations Mthetho Tshemese says musicians who find themselves financially strained could develop mental complications. « They are likely to experience high levels of anxiety and may struggle with the adjustment of dealing with the massive uncertainty, » he says. « Live performances contribute to the day-to-day running of musicians’ lives. I saw Thandiswa Mazwai’s tweet where she breaks down the negative impact caused by the coronavirus. It remains to be seen what the duration of the impact is going to be.”

Celebrities are even more vulnerable

There is also evidence that social perceptions contribute to financial stress, where individuals with a higher perceived social standing tend to exhibit a stronger relation between negative financial events and mental stress. This could mean that musicians who command a higher social status may be more likely to develop a mental health complication.

Social isolation may lead to more problems

Evidence suggests that social isolation contributes to poor health and reduces the immune system’s ability to fight off diseases. Social isolation is also linked to health issues such as high blood pressure and cardiovascular disease, and vulnerability to infection.

Isolation in itself is said to make stressful situations harder to deal with, which means musicians who are isolated may find it harder to deal with pre-existing mental challenges.

There is also a level of paranoia that comes with occurrences like a pandemic. We’re already seeing paranoia playing out with recent cases of panic buying. This fear can be attributed in part to excessively overthinking a situation. UK-based counselling psychologist Dr Lucy Atcheson says one of the most dangerous things for your mental health is having too much time to think about your life critically. “When self-isolating you’ve got a lot of time to think and it’s very common to experience massive life dissatisfaction as a result, » she says.

Substance abuse

The culture of self-medication and substance abuse in the music industry could also pose a challenge for musicians. Some artists may turn to alcohol and drugs as a coping mechanism for financial stress and social isolation, which could result in further mental health problems. The Centers for Disease Control and Prevention in the US has published this page that individuals can use as a general guide to manage stress and anxiety. There is also additional reading at the bottom of the page.

Preventions

Monitor the changes

According to Tshemese it is important that individuals pay attention to changes that may point to mental health issues. These could include fits of anger, malaise, a prolonged sense of cynicism, weight loss, neglect of hygiene and an unwillingness to communicate with others over the phone or online, among others.

« People need to monitor their general emotional energy, » Tshemese says. « Things like how they feel in the morning, their sleeping patterns, and general sense of hope. »

Don’t get drawn into a negative spiral

South African music therapist Diane Maris says musicians should turn a negative situation into a positive one and concentrate on the work they usually do not have the time for.

« Reframe your mind from ‘I can’t perform’ to ‘I can finally write and record that song’, » she says. « Approaching this time with feelings of being trapped will aggravate your stress levels. Instead, use the time as a chance to focus on yourself. Be aware of what is anxiety and what is reality in your thoughts and conversations. It’s about keeping equilibrium and distinguishing between the perspectives. Music can also be used in a therapeutic form that counteracts the anxiety due to all the hype from the pandemic. »

Stay healthy and boost your immune system (with music)

Eat a healthy, well-balanced diet and avoid alcohol and drugs. Also remember to stay active by exercising, stretching and meditating during this time of restricted movement. The human body is not designed to stay in confined spaces. Listening to music can also improve your body’s defence system. This is according to psychologists who believe that listening to upbeat music can boost immune functionality.

Maintain a daily routine

Try to maintain some of your normal daily structure from the pre-quarantine days, such as waking up and going to bed around the same time, and eating meals as you would normally. Try not to watch too much TV late into the night to avoid flipping your day and night around. Evidence suggests that humans are designed to sleep at night. Doing all-nighters is not only dangerous for your mental health but also for your physical well-being.

Limit news intake

With the freeing of time from social obligations, people may be inclined to obsess by over-researching the pandemic. Reduce your intake by limiting the amount of news content you watch, read or listen to. If you do want to be up to date with what is happening with the coronavirus pandemic around the world, make sure you consume credible media and sources. Misinformation and fake news could easily intensify levels of stress and anxiety.

Online support and phone counselling services

Tshemese says people should explore online musicians’ community groups and phone counselling services as an option to talk to a professional if depression and anxiety become unmanageable.

« Musicians can form healing circles wherein they create a safe online space to support each other emotionally,” he says.

He also urges musicians to contact the South African Depression and Anxiety Group, which has free telephonic counselling services. « They also have a network of psychologists, social workers and other mental health professionals to whom they refer. Government departments such as Social Development, Health and Education have mental health services that can also assist any artists experiencing changes in mental behaviour. »

Maris said: « It’s also important to stay in touch with your friends and family. Have conversations about your feelings with people you trust. Artists can also help other people identify their own emotional stress through music and online engagement. »

It is highly recommended to seek professional assistance when you think you may be experiencing mental health challenges. In South Africa you may call the South African Depression and Anxiety Group to speak to a counsellor between 8am and 8pm on Monday to Sunday on 011 234 4837. You can also contact Diane Maris for consultation on 082 926 0548.

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