NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Ntando Ngcapu

Ntando Ngcapu

Other, Session artists, Other
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Pretoria, South Africa

In operation since:

2007

Contact person:

Ntando Ngcapu

BIO

Ntando Ngcapu – Pianist, Composer, and Creative Visionary

Ntando Ngcapu is a South African pianist and composer whose music speaks with the language of heritage and the voice of innovation. Born and raised in Soweto, Ntando grew up in a home filled with sound — from choral hymns to township jazz — and as the nephew of acclaimed South African musician Phinda Matlala, music became both inheritance and calling. His early sensitivity to melody and rhythm would later mature into a style that fuses deep emotional expression with harmonic sophistication and spiritual depth.

Early Development and Formation

Ntando’s musical journey began at the Soweto Youth Music Development Programme, under the guidance of Victor Koapeng, where he completed Grade 5 in Music. He later honed his skills at the National School of the Arts, forming his first jazz ensemble, and continued at the Tshwane University of Technology, where he deepened his craft in jazz theory, composition, and performance. These formative years grounded him in discipline, but also encouraged an adventurous spirit — one that would later define his artistic trajectory.

Career Highlights, Events, and Accolades

Ntando has performed extensively across South Africa and abroad, establishing himself as one of the most versatile and expressive pianists of his generation. Internationally, he has headlined stages at the Rabobank Amersfoort Jazz Festival (Netherlands) and the Banyan Tree / World Jazz Festival (India) as part of his Asian tour. These performances positioned him among the leading voices of South Africa’s contemporary jazz scene, known for his ability to merge cultural authenticity with cosmopolitan sophistication.

His international collaborations have seen him share the stage with globally respected artists such as Carmen Lundy, Nils Landgren, and The Beets Brothers (Marius, Peter, and Alexander). Domestically, he has performed and recorded with some of South Africa’s most influential contemporary musicians, including Linda Sikhakhane, Thembinkosi Mavimbela, Tumi Mogorosi, Nduduzo Makhathini, Gabi Motuba, Lungile Kunene, Sibusile Xaba, Viwe Mkizwana, Benjamin Jephta, Darren English, Siphelelo Mazibuko, Thandi Ntuli, Keenan Ahrends, Spha Mdlalose, and Vuma Levin. Ntando has also worked with veterans of South African jazz such as Khaya Mahlangu, Prince Lengoasa, Salim Washington, and Sydney Mnisi, among others.

His tribute concert to Abdullah Ibrahim at the Market Lab Theatre stands out as a defining moment in his career — both an homage to a national legend and a demonstration of his own musical maturity. Internationally, he has also collaborated and performed alongside Marcus Gilmore and Professor Greg Jasperse (New York Voices), further cementing his global reach.

Ntando’s achievements include:

Winner of the 2017 SAMRO Overseas Scholarship for Keyboard, one of South Africa’s most prestigious music awards.

Runner-up in the 2019 UNISA National Piano Competition, showcasing his technical and interpretive mastery.

Jury Member of the 2023 UNISA National Piano Competition, reflecting his stature as an educator and adjudicator.

He has also appeared on The Dan Corder Show, where his performances introduced his artistry to a broader audience beyond the jazz circuit, reaffirming his versatility and presence in both mainstream and specialist spaces.

Current Work and Creative Focus

Currently, Ntando performs as both a soloist and leader of his ensemble, Ntando and The Crayons, an ever-evolving project that explores the boundaries between improvisation, storytelling, and cultural memory. His performances are known for their layered textures, emotional honesty, and the fluid balance between structure and spontaneity.

Under his creative identity @ntandoscrayonbox, Ntando continues to expand his artistic expression through his ongoing Sankofa project — a multisensory exploration that bridges past and present through sound, image, and movement. Sankofa, which means “to go back and fetch it,” embodies his philosophy of drawing from ancestral wisdom to create something new and forward-looking. While still evolving in form, the project captures Ntando’s vision of music as a living archive — a place where memory, identity, and imagination coexist.

Artistic Identity

For Ntando Ngcapu, music is a return and a revelation. His artistry draws from South Africa’s deep well of tradition but resounds with a global pulse, offering audiences performances that are both spiritual and contemporary. Whether on an international stage or at an intimate local venue, Ntando’s music moves beyond entertainment — it communicates presence, reflection, and transformation.

His work stands at the intersection of heritage and modernity, echoing the wisdom of the past while composing the soundtrack of South Africa’s future.

Music

Ewe Maan!

Ntando N
15:46

The Aim

Ntando N
02:12

Inside Lies The Hidden

Ntando N
07:52

X and O's

Ntando N
11:31

Releboga Modimo - We're All Just Human

Ntando N
11:50

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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