NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Mtholisi

Mtholisi

Solo artists
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Cape Town, South Africa

In operation since:

2025

Contact person:

Mtholisi

BIO

Mtholisi, also known as uMkhaya Wohlabelo and Mfoka Mphill, is a young South African Maskandi musician and songwriter from Cape Town, Western Cape. Born on 11 December 2012, his real name is Kungawo Othandwayo Prince Manjo. He is known for his growing involvement in Maskandi music and for a vocal style influenced by some of the genre's established contemporary artists.

 

Mtholisi was born in Cape Town, Western Cape, South Africa, where he is currently based. His family roots are in Lady Frere, KwaNdonga, particularly in the village of KuloMaqhubela. He developed an interest in music at a young age and later became increasingly drawn to Maskandi, particularly its guitar-led sound, vocal traditions, storytelling, and connection to Zulu culture. His early exposure to different South African musical styles eventually led him to identify Maskandi as the main direction of his artistry.

 

Mtholisi began exploring music through different sounds before establishing Maskandi as his primary genre. His early musical work included styles outside traditional Maskandi, allowing him to experiment with his voice and develop his understanding of songwriting and recording. His music later became more focused on Maskandi, while still incorporating occasional elements of Afro-pop and contemporary South African music. Mtholisi has also developed an interest in the broader production side of music, working with digital music-production tools and exploring recording, vocal arrangement, songwriting, and other aspects of creating music.

 

Mtholisi released his early EP Ezonkathi, a project that represents an earlier period of his musical development. Most of the material on the EP explores sounds outside Maskandi, reflecting the different musical styles he experimented with before making Maskandi his main focus. The project includes “Ushaya Abafana,” one of his Maskandi-oriented songs. Other works associated with Mtholisi include “Uzofa (Remix),” “Utsotsi (Cover),” and “Asenzele Bona (Remix). Through these releases and collaborations, he has continued developing his experience as a vocalist and recording artist.

 

Mtholisi's musical influences include Mgqumeni, Mjolisi, Mnotho Majola, and Mjikjelwa, among other South African artists. He has particularly drawn inspiration from the vocal approaches of Mjolisi and Mnotho Majola, whose styles have influenced his own development as a young Maskandi vocalist. Their influence can be recognised in his interest in expressive vocals and modern Maskandi, while Mtholisi continues to develop his own sound.

 

Mtholisi is currently a learner at Siphamandla Senior Secondary School in Khayelitsha, Cape Town, where he is known as one of the young talented stars of Siphamandla Senior Secondary School. He has an interest in the school's artistic environment and is among the young learners involved in music and arts-related activities. Before attending Siphamandla Senior Secondary School, he studied at Eluxolweni Public Primary School in Khayelitsha. He continues to balance his education with his involvement in music, developing as a student while pursuing his interests as a recording artist.

 

Outside music, Mtholisi has an ambition to pursue engineering and further his education in the field. At the same time, he intends to continue developing his career in music, with Maskandi remaining at the centre of his artistic direction. As a young artist from Cape Town with family roots in KwaNdonga, Mtholisi's musical journey combines his urban upbringing with an interest in traditional South African music. His continued work in Maskandi, together with his exploration of other contemporary sounds, forms the foundation of his developing career.

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