NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Opportunities for musicians in Rwanda

11 Feb 2015 - 10:33

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By Francis Bazatsinda

Rwanda is a landlocked African country fondly known as “the heart of Africa” or “the land of a thousand hills”. Rwanda has a long history of folk music but because of socio-military unrest and violent conduct dating way back from 1960s up to the mid-1990s, many people of Rwanda migrated to countries overseas within those years, carrying with them the Rwandan music to cities such as Brussels.

Rwandan artist Knowless Butera. Photo: www.igihe.info

After the 1994 genocide against the Tutsi, music slowly came back to the nation and new stars emerged. For example, Jean-Paul Samputu and his group Ingeli won two Kora Awards in 2003 for their performance of traditional Rwandan music. In due course, other contemporary genres of music emerged, specifically R‘nB, hip-hop and contemporary gospel. The music industry in Rwanda is gradually growing and becoming more professionalized. An increasing number of companies are investing in the development of new talent through festivals, competitions, workshops and music schools. Meanwhile, traditional Rwandan music (gakondo) is gaining more momentum in Rwanda. Many young people are finding opportunities in both gakondo and contemporary music. This article explores some of the opportunities available in both fields.

Primus Guma Guma Super Star (PGGSS)

This is an Rwanda’s annual reality show and singing competition. PGGSS is sponsored by Bralirwa, a Rwandan brewing company through their flagship Primus Beer. It was created by East African Promoters (EAP) to help grow music entertainment in Rwanda. Season 1 premiered in 2011, with Tom Close emerging the winner. Unlike East Africa Breweries' Tusker Project Fame and American Idol, where the competitors are relatively unknown artists, Primus Guma Guma Super Star takes well-known Rwandan musicians and makes them compete against each other for the prize money and the opportunity to move their music career to greater heights. With each season of PGGSS, the cash prize has increased drastically, and attention on the event has grown with every passing year. The fourth season, which took place in 2014, was bigger than the previous seasons, with one of the most celebrated hip-hop stars, Jay Polly, emerging the winner. Previous winners were Tom Close (2011), King James (2012) and Riderman (2013)[i].

Salax Awards

The Salax Awards are a music awards series in Rwanda organized by Ikirezi Group Ltd since 2009. The purpose of the awards is to recognize by excellence without limitations or restrictions all Rwandan talented artists and entertainers. The award winners range from established to under-recognized artists after considering their annual performances. The Salax Awards draws inspiration from various international awards such as MTV Awards, Grammies, BET Awards and Oscars, having recognizing that Rwanda has got serious talented artists in various disciplines.

Many young Rwandans have benefited from Salax Awards, with the awards having earned them popularity in their respective fields and helping to establish them as household names in Rwanda. The awards cover all music genres, from gospel to secular. In 2014 the sixth edition of the Salax Awards took place on 28 March 2014 in Kigali. Prizes were awarded in various categories, including: Best Male Artist (Urban Boyz), Best Female Artist (Knowless), Best Song of the Year (‘Ibitenge’), Best Album: (Knowless Uwo ndiwe), Best Group (Urban Boyz), Best Gospel Artist (Gabby Kamanzi), Best Hip-hop Musician (Riderman), Best R&B Artist (Bruce Melodie), Best Afro-Beat Artist (Senderi), Best Traditional Artist (Mani Martin), Best New Artist (Active),Best Video (‘Ninkureka ukagenda’) and Diaspora Recognition Award (Stromae)[ii].

Tusker Project Fame

Tusker Project Fame is an East African reality singing competition show sponsored by Tusker Lager. The show is similar to American Idol and Project Fame South Africa. Musicians compete to win cash and a one-year record deal with Universal Music Group South Africa. One of the Rwanda’s success stories in this competition is Alpha Rwirangira, whose music career got a kickstart when he won the third edition of TPF in 2009. This victory provided him with an opportunity to collaborate with AY from Tanzania to record and release hits songs like ‘Songa Mbele’. He released his debut album One Africa in 2010, including ‘Come to Me’ with Ugandan Bebe Cool. He later won Tusker Project Fame All Stars. Since then, other Rwandan artists such as Patrick Nyamitali, Teta, Sharon and Jackson Kalimba, have participated - but none have so far been able to take home the prize[iii].

Morial Entertainment Group (MEG)

Moriah Entertainment Group LLC is based in Kigali, Rwanda and was started in November 2009. MEG’s mission is to become a full-service gospel entertainment company with a commitment to creating a new path in the gospel entertainment world in Rwanda and all over Africa. MEG organizes different workshops, TV shows and competitions such as the Groove Awards and Alelluya Competions. One of their success stories has been Bahati Alphonse, who was crowned Best New Artiste and Best Male Artiste of the year in 2013 and 2014 respectively at the Groove Awards. Since then, his songs have been riding high in the local market.

Gakondo Group

Rwanda’s musical heritage is rich and goes way back in time. However, preserving these old traditions is still a challenge, and with every old master of inanga (an indigenous stringed instrument) who dies – like Sentore Athanase in 2012 – a whole library of musical knowledge and wisdom disappears. Luckily a young generation of musicians has heeded the call to save the music of their ancestors. The Gakondo Group, headed by renowned traditional musician Massamba Intore, is the most prolific guardian of Rwanda’s musical world heritage. Along with young musicians like Jules Sentore, Daniel Ngarukiye, Sofie Nzayisenga, Michel Ngabo, Emmanuel Habumuremyi, Lionel Mulinda, Abédé, Didier and Tamfum, Massamba and the Gakondo Group are gaining popularity in Rwanda and beyond.

The Gakondo Group holds a weekly concert in Hotel des Milles Collines in Kigali. Here, young musicians who interested in gakondo music, such as Jules Sentore, Teta Diane and Daniel Ngarukiye get a chance to perform in front of a live audience alongside experienced artistes like Massamba and improve their skills. [iv]

The Goethe-Institut is doing significant work in Rwanda, much of it targeting the promotion of gakondo music and in collaboration with the Gakondo Group. For example, in 2013, the Goethe-Institut and the Gakondo Group organized a three-day workshop from 24 to 27 July dubbed ‘Contemplating Traditional Music’ at the Goethe-Institut in Kigali.[v]

Hobe Rwanda

Another popular gakondo project is Hobe Rwanda, an initiative of Mobile Applications Ventures (MAV) Ltd that was started early in 2011 with the help of artist and partners. The event commands a large and growing attendance, viewed worldwide via the internet. The first edition of the event took place at the Rwanda Revenue Authority grounds. The second took place on 13 September 2014 at the Serena Hotel in Kigali. Painters, dancers, singers, poets present their works from 3pm to late. Artists like Mani Martin, Jules Sentore and other members of the Gakondo Group got a chance to perform in the presence of prominent figures and international artists. Through such concerts, people with talent and the ability to sing gakondo music get a chance to expose what they are capable of doing.[vi]

Conclusion

With the recent growth in the Rwandan music industry, new opportunities are opening up every day for those aspiring to make a career from music. Experienced and world-class producers are focusing their attention on promoting music in Rwanda. For example, Uganda-based producer Washington has set up a studio in Rwanda. Various singers have had a chance to use his beats in their songs. Allion has released two songs so far with him: ‘Impinduka’ and ‘Umusumari’, both big hits. Besides that, other Rwandan singers have had collaborations Ugandan artists through Washington, such as Urban Boys with Jackie, and Dream Boys with Kenzo. There are various recording studios in Rwanda that offer affordable rates and are doing really well, and which offer opportunities for young people with ambitions of joining the music industry. These include Narrow Road Productions, Touch Studios and Kina Music Recording Studios. In conclusion, the future looks bright for the Rwandan music industry, and the various projects outlined above present ideal opportunities for young Rwandan musicians to establish themselves.

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