NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Cassper Nyovest
Cassper Nyovest

Cassper Nyovest

Solo artists
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Profile added by Music In Africa Foundation on 12 Mar 2015

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Mafikeng, South Africa

In operation since:

2007

Contact person:

Cassper Nyovest

BIO

Born Refiloe Maele Phoolo on 16 December 1990 in a Mafikeng village called Montshiwa, Cassper Nyovest's love for performing developed at an early age in primary school. Inspired by his late brother, Khotso Motebang Phoolo, a rapper who sadly passed on in 2003, Cassper decided to take on the music world and hasn’t looked back since. He started out as a member of CHG (Childhood Gangsters) in 2004 but broke away as his ideas matured. Later that year he joined another crew, Slow Motion. In 2008 at age 17, Cassper got a record deal with Impact Sounds, arguably the strongest Motswako label at the time, with artists like Tuks Senganga and Morafe. After spending two years with the label without signs of his album dropping, he decided to part ways and start his own label, Press Play Music. This came as a major setback and forced him to move back home to his grandmother’s house in Potchefstroom.

A few months down the line, he wrote a song 'Holla at a Pantsula', which blew up in his neighbourhood and on YouTube. Labels started noticing, including an artist Cassper looked up to, from the same streets of Montshiwa, Hip Hop Pantsula. HHP featured Cassper on a track from the album Dumela, ‘Wam Tseba Mtho’, which put him on stages across South Africa, and crossing over to international shows in Botswana, Ghana, Lesotho, Namibia and Mozambique. He also toured with HHP and Tuks to the UK in December 2011, performing in Camden and Milton Keynes. Cassper also features on HHP’s hits ‘Past Time’ and ‘Padapa’.

The video for Cassper's single 'Wahala', ft Young Slugz, ensured regular airplay on Vuzu TV and Channel O. Cassper then produced alongside Aashish of Ganja Beatz a single titled 'Gusheshe' ft OkMalumKoolKat, which was playlisted across most major radio stations and also earned TV airplay thanks to the video, which Cassper co-directed alongside Nicky Campos. His next single, 'Doc Shebeleza', produced by Sean Craig, also did extremely well, hitting over 100,000 downloads in just four weeks. After scooping numerous SA Hip Hop Awards in 2013, Cassper Nyovest has quickly risen to become one of the most successful artists in South Africa. Between August 2013 and March 2014 he performed over 100 shows. In mid-2014 he released his debut album, Tsholofelo, which was certified gold a few months later for sales of over 20,000. That year he also opened for touring American star Kendrick Lamar. He was the big winner at the 2015 Metro FM awards, taking home five trophies. Soon after that, he received five nominations for the 21st annual SAMAs.

Photos

Music

Same Chair As Kanye

Cassper Nyovest
03:41

Cassper Nyovest - Skelm (Prod. by Gemini Major)

Cassper Nyovest
04:13

Cassper Nyovest - Problems [Prod By Rymez]

Cassper Nyovest
04:03

Cassper Nyovest- #Dust2Dust

Cassper Nyovest
05:38

#Ashes2Ashes :428 To SA Freestyle (Produced By Rymez)

Cassper Nyovest
03:04

Cassper Nyovest- Strive (Produced By Ganja Beatz)

Cassper Nyovest
04:18

Hey There

Cassper Nyovest
04:09

Cassper Nyovest Feat. DJ Drama & Anatii - Ghetto

Cassper Nyovest
03:35

Beef

Cassper Nyovest
04:18
Cassper Nyovest

Cassper Nyovest

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